longstreth
21May12
Each character is a piece of a pie, which, when looked at from above, creates the circle.
An apt title for the film: not only is it actually cyclic, one woman visits a cinema called the Circle. Panahi's sympathetic characters inhabit a fragmented narrative that compels the viewer to view Iranian society as the sum of their stories' parts, a clever move.
Each character is a piece of a pie, which, when looked at from above, creates the circle.
Shot mostly in public spaces with a handheld camera, we're cast as pedestrian, offered only snatches of the women’s lives. That Panahi doesn't delve into particularities—why they were in jail...the men, undifferentiated and involved in the mundane, only heightens the absurdity of their plight. The fragments transition like poetry, each character emerges from the streets and the camera, distracted/curious, follows.
Intriguing display of women's conditions in Iran. No doubt an important film in terms of subject matter. Strong performances. Handheld camera staying close to the action supports the feel of women on the run from lurking danger. At times I was somewhat thrown off by the lingering narrative though, but still a very watchworthy feature. First I've seen from Panahi, but will definitely be on the lookout for more.