Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves falling in love with each other, and they decide to get married before Joe has to return to camp. —IMDb
Vincente Minnelli (February 28, 1903 – July 25, 1986) was a Hollywood director and stage director. His skilled integration of story, music, lighting, and design elements in a film made him the most critically respected crafter of American film musicals. With first wife Judy Garland, he was the father of Liza Minnelli.
Born Lester Anthony Minnelli in Chicago, Illinois, United States, Minnelli was the youngest surviving child of Mina Mary LaLouette Le Beau and Vincent Charles Minnelli. His father was musical conductor of Minnelli Brothers’ Tent Theater. Minnelli’s Chicago-born mother was of French Canadian descent and his paternal grandfather was from Sicily.
With his background in theatre, Minnelli was known as an auteur who always brought his stage experience to his films. The first movie that he directed, Cabin in the Sky (1943), was visibly influenced by the theater. Shortly after that, he directed Meet Me in St. Louis (1944), during which he befriended the film’s star… read more
Vienna-born Fred Zinnemann had childhood dreams of becoming a musician, and later planned on a law career, before his viewing of the movies of Erich Von Stroheim drew him into the movie business, initially as a cameraman. He came to the United States in 1929, and later found work as an editor, and subsequently as an assistant to documentary filmmaker Robert Flaherty, and then as an assistant to choreographer Busby Berkeley. He joined MGM in the late ‘30s as a director of comedy shorts, and won an Academy award for his 1938 short subject That Mothers Might Live. Zinnemann moved up to full-length features in 1941, but found little opportunity to work on anything but B-pictures until 1948, with The Search, a drama set in post-World War II Europe. He didn’t really become a major recognized box-office name as a director, however, until 1952 when his Western drama High Noon, starring Gary Cooper, which had been perceived by most observers as headed for commercial disaster, became a monster… read more
It's the third protagonist, New York City, that cements Minnelli's small scaled drama as a lasting American love story.
Vincente Minnelli’s films are like full-color X-ray photography of the inner universe of his characters.
A three-dimensional collage for Vincent Minnelli’s film and other 3D work by the caricaturist Jacques Kapralik.