Jeremy Spensser, genius humanitarian, is killed in an accident just after winning the Nobel Peace Prize. His father William, a brilliant brain surgeon, works on the body in secret before burial; later revealing to his other son Henry that he has the brain on life support and hopes to encase it in a robot body! The resulting being is large, strong, and develops many strange powers. Initially it has Jeremy’s gentle personality but this, too, begins to change, and a year later it decides to end its long seclusion… —IMDb
Russian-born French art director and director who gained a significant reputation, particularly as a collaborator with director Jean Renoir. At the age of sixteen, Lourié went to Paris where he studied painting and stage design. He designed sets and costumes for various ballet companies before turning his attention to film. After working as co-art director on a few films, including two for Renoir, Lourié took over as sole art director for Renoir’s La grande illusion (1937). Lourié worked steadily with Renoir, and went to America with him in 1941. He also was art director for Charles Chaplin’s last American film, Limelight (1952). He branched into directing, specializing in, of all things, giant-monster films, often art directing and doing special effects on them as well. He continued as a respected art director into the 1980’s. Following a series of strokes, Lourié died of heart failure at the reported age of 89, although most reference works list a birth year of 1905, which would have… read more