Excellent, thought-provoking character study of paranoia and alienation. David shire's mysterious, jazz-infused film score only serves to heighten the film's tense moments. When you see Gene Hackman tear up his apartment by the last frame, you can hardly believe your eyes.
Perfect thriller. I was surprised to see touches of Antonioni throughout the film, this time the main character not afflicted by ennui but paranoia and frustration, and the way Coppola takes those emotions to the film's core and paces it around them is quite brilliant. It perfectly blurs the line between a genre film and a character study. Also, that piano score by David Shire... just amazing.
Hitchcock' influence is clear from the suspense to the toilet scene. I had the chills throughout the entire film. Masterpiece.
A Masterpiece. A movie that functions perfectly as a grounded social analysis, still relevant today, and as a subtle character study mixing the realistic and the allegoric on a perfectly pace and composed film.
The film's pacing is perfect. The careful, steady camera work creates tension and ultimately leaves you with an abrupt, unsettling ending. I think it's Coppola's best.
Bumper sticker reads: "I'd rather be watching Blow Out" (or, for that matter, Blow-Up)...
One thing which really stuck out in this film for me was the diegetic soundtrack, the unnerving sounds of surveillance acts as the heartbeat to the film and proves to be a lethal weapon within the narrative. The change from more long shots of the spacial atmosphere which surrounds Harry starts to enclose into more claustrophobic close ups stressing the paranoid angst of Harry.
Although Coppola has three all time great films under his direction, he has a handfull of films that are not nearly in the same caliber. The Conversation has some good scape shots of San Francisco, but it comes up short in its ability to grab the audience for a film labeled as a suspenseful thriller.
" He'd kill us if He got the chance " .. It's a more than a perfect thriller ..of course it resembles " Blow-Up" .. But in a very unique way
Faultless and painfully human. Read about it some more in Peter Cowie's essential biography of the genius behind the film.
I sure hope Gene Hackman plans on moving into a new apartment after he's done playing his saxaphone.
the plot is typical, but the execution is truly exceptional. I was completely blown away, not least by Gene Hackman's magnificent performance and Coppola's near sorcery in composition and structure, this film is all great directing and great acting (and obviously sound and visual editing)
More than anything else, it's a film about loneliness and what drives people into obsession. Not to mention one of the most haunting endings to any film.
I know this is a beloved film, so I'm in the minority here, but I was underwhelmed by it. It was well-written, shot and acted, fantastic sound editing, etc. But... am I alone in thinking this movie's very dated? And not in a way that benefits the film.