Richard O’Barry was the man who captured and trained the dolphins for the television show Flipper. O’Barry’s view of cetaceans in captivity changed from that experience when as the last straw he saw that one of the dolphins playing Flipper – her name being Kathy – basically committed suicide in his arms because of the stress of being in captivity. Since that time, he has become one of the leading advocates against cetaceans in captivity and for the preservation of cetaceans in the wild. O’Barry and filmmaker Louie Psihoyos go about trying to expose one of what they see as the most cruel acts against wild dolphins in the world in Taiji, Japan, where dolphins are routinely corralled, either to be sold alive to aquariums and marine parks, or slaughtered for meat. The primary secluded cove where this activity is taking place is heavily guarded. O’Barry and Psihoyos are well known as enemies by the authorities in Taiji… —IMDb
Fuck you, Taiji. Hard. There's a line assholes, and you crossed it. And FYI, slaughtering 2,000+ dolphins a year so you can serve mercury poisoning to school children is it. I know because when I was twelve I did it once and my mom was all like "Wait till your dad gets home, shit head" and holy shit when he did get home, I got what was coming to me. But that's ok, because I crossed the line and deserved it.
Devastating. Fantastic documentary about an important and deeply upsetting cause, but far from pleasant viewing.
Perburuan paus dan lumba-lumba adalah satu hal yang sering menjadi kontroversi di berbagai negara. Memang, sebagian negara (khususnya negara Barat) menentang keras adanya perburuan bagi hewan yang… read review
This is a very intense and informative documentary about the slaughter of tens of thousands of dolphins per year in a small section of Japan called Taiji. This film will haunt you and enrage you. It… read review
Eye opening but clearly glamorized, The Cove has it’s heart in the right place from the start but unfortunately gets lost in its own sense of righteousness early on in the film. From the beginning… read review
This film would have been powerful based on its subject matter alone. As a vehicle for change, it really has no obligation to succeed as a work of cinema. That it succeeds on both fronts — compelling… read review