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The Descent

United Kingdom

2005

99 Min
Color
2.35:1
English
  • Currently 3.4/5 Stars.
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DIR Neil Marshall

EXEC Paul Smith

PROD Christian Colson

SCR Neil Marshall

DP Sam McCurdy

CAST Shauna Macdonald, Natalie Jackson Mendoza, Alex Reid, Saskia Mulder, MyAnna Buring, Nora-Jane Noone, Oliver Milburn

ED Jon Harris

PROD DES Simon Bowles

MUSIC David Julyan

Venice (Midnight), Sundance (Park City at Midnight), San Francisco (The Late Show), Melbourne

Synopsis

A woman goes on vacation with her family and friends and her husband and her daughter encounters a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures. —IMDb

Director

Original

Neil Marshall

Neil Marshall (born 25 May 1970) is an English film director and screenwriter. Marshall began his career in editing and in 2002 directed his first feature film Dog Soldiers, which became a cult film. He followed up with the critically acclaimed horror film The Descent in 2005. Marshall also directed Doomsday in 2008, and wrote and directed Centurion in 2010.

Marshall was born in Newcastle upon Tyne, England. He was first inspired to become a film director when he saw Raiders of the Lost Ark (1981) at the age of eleven. He began making home movies using Super 8 mm film, and in 1989, he attended film school at Newcastle Polytechnic (now Northumbria University). In the next eight years, he worked as a freelance editor. In 1995, he was hired to co-write and edit for director Bharat Nalluri’s first film, Killing Time. Marshall continued to write and develop his own projects, directing his first film in 2002, Dog Soldiers, a horror film that became a cult film in the United Kingdom… read more

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fleurare

5Apr12

I already knew the deceiving denouement when I watched The Descent. The film is enjoyable anyway. The premise is one that appeals to many, and when the monsters come, they are awfully grotesque. Sadly though, after a while of watching the film, I felt like I was watching a video game adaptation with rather inappropriate music and hardly any tension. Unsurprisingly, the best thing about the film is the ending.

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cinemaforever

29Feb12

And am I the only one who preferred the alternate ending to the theatrical ending? (Birthday cake/child ending)?

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cinemaforever

29Feb12

The movie poster's Salvador Dali reference is just too awesome.

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Justin Oakey

22Feb12

The first third of "The Descent" is a great weekend-gone-wrong set up, only it curiously handles a female-only cast and a strange setting - underground caves. Very claustrophobic with rising tension, and that's before the appearance of cave creatures. Once the group stumbles upon primitive cave dwellers, havoc is wreaked and a violent fight for survival ensues. Some fantastic scares and a gorgeous look.

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Articles

Our roundup of essays and articles on this film.
W184

Marshall's Women and Men

By Ignatiy Vishnevetsky on August 27, 2010

Neil Marshall's men are numerous and largely interchangeable—grizzled genre types vaguely sketched, owing a lot to Hawks-by-way-of-Carpenter

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Reviews

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i slept on this one...

By Marcus WP on October 16, 2010

I had the pleasure of seeing this for the first time at IFC a few months ago. Like many movies, especially movies that involve attractive women stuck in a cave being chased by mutant creatures (which…  read review

Untitled

By jaredmo​barak on June 8, 2009

I am not a big fan of the horror genre. Many of them are just too campy or schlocky to be terrifying, too derivative of each other, or too slow and drawn out while trying to be suspenseful. Besides…  read review

Untitled

By Alvaro on May 30, 2009

With time, I’ve come to be really repelled by what I have come to call, “pop horror”, which just gathers a group of people in a lone and silent location, then gets some nice reviews to quote and finally…  read review

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