Spain at the end of the thirties, just days before the end of the Civil War. Ten-year-old Carlos, whose Republican father was killed in battle, is left by his guardian at the Santa Lucia orphanage, an impressive stone structure in the middle of a desolate landscape where war orphans are sent. The bleak halls of the building conceal not only the adult characters’ dissolute relationships (between the one-legged director Carmen, professor Casares, young teacher Conchita and the aggressive custodian Jacinto), but also the ghost of a boy who seems bent on making contact with Carlos. The newcomer must also deal with the living, mainly the spiteful and unfriendly Jaime, the eldest orphan. Carlos soon becomes suspicious that the child ghost, whose intentions are unclear, is the spirit of a former student named Santi who disappeared under mysterious circumstances. Santi’s ghost wants to use Carlos as a means to cruelly and unexpectedly avenge his own brutal murder. –Karlovy Vary
Guillermo Del Toro was born October 9, 1964 in Guadalajara Jalisco, Mexico. Raised by his Catholic grandmother, Del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist, 1973) and worked on making his own short films. At the age of 21, Del Toro executive produced his first feature, Dona Herlinda and Her Son (1986). Del Toro got his first big break when Cronos (1993) won nine academy awards in Mexico, then went on to win the International Critics Week prize at Cannes. Following this success, Del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino. Next for Del Toro, was El Espinazo del diablo (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and Del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002). —World Cinema Foundation
Yah, greed and bankers and capitalists are bad. That's true but cliche, I'd say this films boring and I was snoring.
I am constantly surprised by the poignant and almost gentle sadness which pervades Del Toro’s films. Not being a traditional horror film fan, (an over active imagination means that long after a film… read review
(Sunday / March 21, 2010 / 1:40am)
“The Devil’s Backbone” is a top-notch film, visually and poetically, and it accompanies “Pan’s Labyrinth” on one of Del Toro’s masterworks. This film represents… read review