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The Diary of a Chambermaid

United States

1946

86 Min
Black and White
1.37:1
English
  • Currently 3.5/5 Stars.
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DIR Jean Renoir

PROD Benedict Bogeaus, Burgess Meredith

SCR Burgess Meredith, Octave Mirbeau

DP Lucien N. Andriot

CAST Paulette Goddard, Burgess Meredith, Hurd Hatfield, Francis Lederer, Judith Anderson, Florence Bates, Irene Ryan, Reginald Owen, Almira Sessions

ED James Smith

PROD DES Eugène Lourié

MUSIC Michel Michelet

SOUND William H. Lynch

Berlinale (Retrospective)

Synopsis

Celestine, the chambermaid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man. But Mr Lanlaire is not a right choice: all the house is firmly controlled by Mme Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, ex-officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive, and does not share his mother’s anti-republicans opinions. So Celestine’s beauty attracts Captain Mauger, young Georges Lanlaire, and also Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity ? Will sinister and inflexible Joseph let his views upon Celestine be ruined ? A quite disillusioned depiction of humanity. –IMDb

Director

Original

Jean Renoir

The son of the painter Auguste Renoir, Jean Renoir became one of France’s most important and respected filmmakers during the middle of the 20th century. A Philosophy and Math student, Renoir became a cavalryman, but was invalided out of the army before World War I. Later, he married a model and aspiring actress, and, following the death of his father and the acquisition of an inheritance, set up his own production company to produce movies for his wife. Renoir learned from these early experiences of financing movies and watching other films, and became a director in 1924. With the advent of sound, Renoir’s career was quickly made with a series of profitable films, including La Chienne (1931), a savage and dark drama about a man’s self-destruction, which was later remade by Fritz Lang as Scarlet Street. Renoir’s subsequent films, including The Lower Depths (1936) and Grand Illusion (1937), were among the finest made in France before the war, and were well acknowledged at the time of… read more

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Picture of Howard Orr

Howard Orr

6Apr12

A striking condemnation of the inaction of good people, which lets others get away with doing bad things. All the more startling for its wonderful compositional grace and control, and its thematic compactness: the unmistakable work of a master.

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