The film stars Jean Sorel, who had worked previously on director Guerrieri’s terrific The Sweet Body of Deborah (1968) as well as a number of other key gialli from the late ‘60s and early ’70s. Sorel gives a fine performance here as a “loafer” (as his character puts it) who lives off his father’s allowance and dreams of being an architect. He’s married to a 19 year old sexpot (the always entertaining Ewa Aulin) who looks and acts like a childlike bimbo, but who will surprise everyone in the room with an eloquently worded summation of a given situation, usually with an acid tongue. The wife’s mother comes to visit them in Morocco, where they’re vacationing, and Sorel finds himself irresistibly drawn to his wife’s mother and attempts a heated affair with her… –unhingedfilm.com
Romolo Guerrieri (born 5 December 1931) is an Italian film director and screenwriter. He directed 17 films between 1961 and 1992. He was born in Rome, Italy. —Wikipedia
Would make for a great double bill with *Short Night of Glass Dolls*. Both films feature Sorel playing a dead or dying character whose memory of what led him to his death is doled out to the viewer in surreal, sometimes contradictory flashbacks. *The Double's* narrative is the more drifting, and seems more experimental, as it lacks a voice-over from Sorel that can act as a
guide to the jumble of events (as it does in *Dolls*). A great surprise in my current crop of giallo watching, and a strong all-around example of why these films can be so memorable.