Graeme Higginson
30Jul11
The truth. The Duellists is a very good film nonetheless.
It had an interesting premise, but in execution it doesn't really work. It just kind of meanders along, and every now and again there's a beautiful shot, but I never felt much dramatic tension. Everything just happened and whether these characters survived or not meant very little to me.
This a beautiful and detailed film, but something is holding it back. It gets a little lost in the spectacle of a historical costume drama and forgets how much potential the characters have. It could have been set in its final years and cemented D'Hubert's character in older life, and then his past with Feraud could have been shown through flashbacks or other means. But perhaps that's more of a plot for theater.
The wardrobe was good but the plot & directing was pretty bad. To 'make Barry Lyndon' you need to know what you're doing. The narrator, conveying passage of time, unlike in Barry Lyndon, had little purpose and was there mostly for stylistic reasons. Stylistic, stylistic, I want a story instead. This was more like Pride & Prejudice with Keira Knightley (but for men?) minus the love and with neverending duelling.
I remember this film rather well, perhaps I should watch this today.
The Duellists is a very good movie, one of the reasons being it has not aged a second since its release. I watched it recently with the same delight as the first time, which was close to its release in the late 70's. Truly a masterpiece, particularly for those with an interest in the Napoleon episode.
Ridley first film reminds me of Kubricks Barry Lyndon, great lighting n locations, a real jem ...
Scott's feature film boasts fine performances by Carradine and a hilarious Keitel in top form. Great imagery and costumes set this film apart from many others. Heavily influenced by Kubrick's Barry Lyndon it also carries many of Ridley's signature shots and techniques. A fine debut preceding many more fine films to come.
Pretty but, for me, a pale retread of Barry Lyndon's territory and with less dramatic heft. Still an extraordinarily impressive feature debut from the maestro.