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AntioneOscar69

3Feb12

One of Ozu's last films, and also one of his best and most multi-faceted, taking place in Osaka rather than Tokyo area, and featuring the Ozu hallmarks of family, subtle detail, the modernization and Westernization of Japan, and a serene warmth. Masterful.

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apexa

26Dec11

A very 'ooooh' type of film for me because yet another wonderful featuring of Setsuko but also from two other actresses I adore, Michiyo Aratama and Youko Tsukasa. First Ozu color film for me and it was absolutely stunning to see the mise-en-scene artfully used. The film felt like a beautiful realistic painting come to life.

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House of Sober Second Thought

27Nov11

All the untidy activity continues, awful but cheerful.

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Michel Poiccard

29Jun11

Two beautiful daughters getting marriage proposals, the parent making escapades, another window into the life of a Japanese family. Another master piece by Ozu.

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Low

15Jun11

My first Ozu in colour. And I want more!

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M Klein

30Mar11

Lovely score to this one. And very funny moments.

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Daniel Zuares

4Sep10

Possibly, the most enjoyable Ozu film I've seen. Love it!

AugusteB likes this

Brad Scott

13Aug10

Of all the Ozu films I've seen, this is the one with which Doris Dörrie's Cherry Blossoms has the most parallels. Beautiful

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floserber

8Jun10

A beautifully composed piece of art, like always with Ozu, going from laughter to tears, with an end haunting like a memento mori.

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Francis

22Nov09

Ozu’s films are like rice. Some are fried rice. Some are udon with white or brown rice on the side. And some are sushi with saki; like Equinox Flower. The End of Summer is just plain white rice. Simple, like all of Ozu’s films, but also very bland. I love Japanese culture, but I don't care for Ozu's films. They really aren't very Japanese, no matter what the cult says.