Louis Ives, a lonely dreamer who fancies himself the hero of an F. Scott Fitzgerald novel, leaves his job and heads to Manhattan to become a writer. He rents a room in the ramshackle apartment of Henry Harrison, a wildly eccentric, but brilliant, playwright who happens to be an “extra man”—a social escort for the wealthy widows of New York’s high society. The two form an unexpected bond.
Paul Dano and Kevin Kline couldn’t be better suited to bring to life these two dapper men lost in time, each lending his own distinct sensibility to the sharply conceived character. Writers/directors Shari Springer Berman and Robert Pulcini (American Splendor) have a knack for bringing edgy tales to life with humanity, a rich universe, and a brisk compelling intellect that all combine to leave the audience splendidly satisfied. Delicately balancing humor and pathos, The Extra Man is a sophisticated comedy that will do just that. —Sundance Film Festival
The voice over feels very out of place, especially since it is dropped quickly. The whole film has a Wonder Boys feel (even has Katie Holmes reprise her plot purpose), but falls short of being as compelling. If you have not seen Wonder Boys, watch that instead.
I enjoyed Kevin Kline's dance moves, found John C. Reilly's Mickey Mouse/MJ voice to be quite surprising and am not sure it's all that memorable. Paul Dano is excellent (as usual).
It's all about eccentricity. But eccentricity played mostly for charm and amusement by actors who accomplish this sort of thing well. It's a fun trifle.
Robert Duvall and Bill Murray, Kevin Kline and Paul Dano, Steve Carell and Paul Rudd. None of them are in Brett Haley's The New Year, but they
"Once again, the Seattle International Film Festival is filling theaters with more films than would be humanly possible to watch
Tonight, "the Sundance Film Festival dispatches eight filmmakers with their films from Park City to eight cities across the country to screen