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The Extraordinary Adventures of Adèle Blanc-Sec

Les aventures extraordinaires d'Adèle Blanc-Sec

France

2010

105 Min
Color
2.35:1
French
  • Currently 2.9/5 Stars.
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DIR Luc Besson

PROD Virginie Silla

SCR Luc Besson, Jacques Tardi

DP Thierry Arbogast

CAST Louise Bourgoin, Mathieu Amalric, Gilles Lellouche, Philippe Nahon, Jean-Paul Rouve, Laure de Clermont-Tonnerre, Frédérique Bel, Nicolas Giraud, Jacky Nercessian

ED Julien Rey

PROD DES Luc Besson

SOUND Nicolas Provost

Synopsis

In the year 1912, Adèle Blanc-Sec, a young, intrepid journalist, is ready to do anything to achieve her aims, even if it means arriving in Egypt and finding herself in the hands of all kinds of mummies.

At the same time, in Paris, panic has broken out! A 136-million-year-old pterodatyl egg has mysteriously hatched on a shelf in the Jardin des Plantes, and the bird is spreading terror throughout the capital. This doesn’t perturb Adèle Blanc-Sec, whose adventures reveal further extraordinary surprises. —uniFrance

Director

Original

Luc Besson

Luc Besson was born in Paris on March 18, 1959, and spent most of his childhood living in the idyllic settings of various Mediterranean hideaways where his parents worked as diving instructors.With Besson’s surroundings and family influences, it seemed assured that he would embark on a similar maritime career. From the age of 10, after an encounter with a friendly dolphin, Besson was determined to become a marine biologist, specializing in the study of the species.

Besson studied for this life plan throughout his teens until, at 17, a diving accident prevented him from ever diving again. His long-held dream cut short, Besson redirected his sights, deciding that he would become a filmmaker. Besson dropped out of school to seek work in the French film industry, and started making his own experimental films in super-8. At the age of 19, he moved to Los Angeles.

In 1983, after three years of experience as an Assistant Director, Besson made his first feature, Le Dernier Combat… read more

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Joel

12May12

An enjoyably stylized romp, certainly entertaining enough but gets absolutely lost to silliness. Feels almost like more of an episode in a television show with the budget of a Hollywood blockbuster. Fun but not the best.

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NEONBEAR

4Mar12

pretty good but didn't really tie itself up as well.

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VENIMOS LOS JODIMOS Y NOS FUIMOS

1Feb12

Recuerdo haber leído hace ya algún tiempo una critica acerca de otra película de Luc Besson, en la que tras enumerar punto por punto los aspectos negativos de aquella, lo que le parecía más grave al autor era el hecho de que se trataba de una producción francesa. (Como si la estupidez se midiese de acuerdo a la procedencia.) Para bien o para mal (como en este caso) el exitoso productor y cineasta es otro ejemplo de que no todo el cine galo esta concebido para el goce intelectual del espectador refinado o "exigente", y de que en Francia también se pintan solos si de filmar pendejadas se trata. Aún así, uno no termina de explicarse que chingados fue lo que sucedió con Besson; aún en películas menos logradas como El Perfecto Asesino, El Quinto Elemento y Juana de Arco, se podía apreciar su dinamismo, su sentido del espectáculo y su correcta (es un decir) asimilación de los clichés propios del cine hollywoodense. Por el contrario, en esta especie de hibrido de La Momia de Stephen Sommers y el cine de Jean Pierre Jeunet (en su plan más guarro) no hay nada rescatable. Plana, aburrida y mamona como la chingada, su pretendido tono de comedia (de un humor soso y bastante dudoso) poco hace por mejorar el asunto. Tras la conclusión del rodaje de Angel-A (2005) Besson declaró que aquella sería su ultima incursión como director para enfocarse en la producción; más le hubiera valido al güey este cumplir su promesa y no quemarse rodando estas mamadas. En México la presente "joyita" no gozó de una corrida comercial en cines y fue lanzada directamente al mercado de video. Ni falta que hizó.

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pitdogG

10Oct11

Okay, so I admit it. My hopes for this film to be one of the years coolest films was actually smashed to little bits. It almost had everything, including, almost, a story and yet it didn't gel. A great French comic book by Tardi + a great pop director, Luc Besson, should have yielded more. I actually cried. Please watch this film and tell me what went wrong. It's much better in French. But still...

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A lesson in 'less is more' would have done this film good

By Henrik Schunk on January 13, 2012

Despite some artistic talent shining through here and there, this film is a muddled mess of fantasy, slapstick and comic book adaption on par with Night at the museum when it comes to historical probability…  read review

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