Roger Ebert proclaimed it “one of the most extraordinary films I’ve ever seen,” and there’s no denying the avalanche of wild images in The Fall: grand castles, desert vistas, elephants swimming in the open ocean. Commercial and music-video director Tarsem has piled these visions into an elaborate remake of an obscure Bulgarian film, Yo Ho Ho, which is anchored in (but by no means limited to) a quiet hospital during the silent-movie era. A stunt man (Lee Pace) is laid up with leg injuries, and an eye-popping black-and-white prologue (utterly mystifying while we’re watching it) tells us how he got here. Depressed over his disability and a recent lost love, he plans suicide, but is temporarily derailed by the inquisitive friendship of a little girl (Catinca Untaru), to whom he tells wild stories of adventurers and princesses. We see these stories, which is where the dizzying visuals come in. This movie probably won’t inspire many lukewarm responses: either you’ll fall madly for this paean to storytelling magic, or you’ll be suspicious about the parade of pretty pictures, which tend to have a magazine-layout sheen. –Robert Horton
Indian-born director Tarsem worked extensively in commercials and music videos before making his feature debut with the psycho-thriller “The Cell” (2000), a largely dreamlike film bringing life to the fantastical subconscious thoughts of a serial killer. Educated at a boarding school nestled in the Himalayas, Tarsem moved to the United States to study business at Harvard. After deciding to pursue film studies instead, the would-be director enrolled at Pasadena’s renowned Art Center College of Design where he developed his unique, visually dynamic style. Early work included a stint directing the 1990 Suzanne Vega video “Tired of Sleeping”, but he would become best known for his handling of R.E.M.‘s 1991 smash single “Losing My Religion”. Drawing on rarely used references like Soviet filmmaker Andrei Tarkovsky and Baroque painter Caravaggio, Tarsem turned out a video that enchanted and confounded the audience, not unlike the effect the often misinterpreted song had. The video’s muted… read more
At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her… read review
Si j’ai vu The Fall, c’est bel et bien à cause de la réputation très positive que le film possède un peu partout.
Le début est assez poussif, on demande où le cinéaste nous emmène et l’intrigue… read review
Oggi parlerò di un film nel quale ogni immagine, parola e suono sembra appartenere a me da sempre: The Fall di Tarsem Singh. L’amico che mi consigliò Trick’r Treat ha fatto centro ancora. Solo che… read review