The film is set in 1937 in Nanjing, China during the Nanking Massacre, at the time of the Second Sino-Japanese War. A group of escapees, finding sanctuary in a Church compound, risk their lives as they struggle to survive the plight and persecution brought on by the violent invasion of the city. –Wikipedia
Zhang Yimou is one of the best-known directors of the Chinese Fifth Generation and one of the most influential and widely respected filmmakers working today. Zhang was born in 1950, in the city of Xi’an in Shaanxi Province, to a future in Communist China that seemed unpromising; his father was an officer in Chiang Kai-shek’s Kuomintang Army and one of his brothers was accused of being a spy, while another fled to Taiwan. During the 1950s, his family’s background was suspect and during the convulsive tumult of the Cultural Revolution of the 1960s, it was criminal. Zhang was pulled out of high school and sent to toil with the peasants. Later, he transferred to a textile factory. While working there, Zhang reportedly sold his own blood to buy his first camera.
In 1978, at the age of 27, Zhang passed the entrance exam for the Beijing Film Academy but was rejected on account of his age. After an appeal to the Ministry of Culture, however, he was enrolled in the B.F.A.‘s class of 1982… read more
As uncompromisingly brutal as it is sympathetically Chinese, this dramatisation of Japanese Imperialism, namely the Rape of Nanking, is impeccably polished and gorgeous to look at. The curious casting of Bale works for me – I’d say it is his most appealing performance. Zhang is becoming a firm favourite.
I didn't like that the japanese characters were shown as evil monsters. I know that they did things wrong during the war and that they killed a lot of people, but this movie looks like an anti-japanese propaganda film to increase the hate against japanese people in China. Everyday I'm more tired about propagandistic war movies, we should live the present, not in the past.
Tsui Hark’s Flying Swords of Dragon Gate leads with seven, followed by Flowers of War and Seediq Bale, with six each.
More world premieres from Antonio Chavarrías, Edwin, Werner Herzog and Kevin Macdonald.
Spielberg dijo que “Schindler´s list” representaba su visión del holocausto desde el ojo de una aguja, con su rencor por ser judío. Acá tenemos la visión de Zhang Yimou, muy patriótica sobre los sucesos… read review