William Friedkin’s gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between ‘Popeye’ Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. –IMDb
William Friedkin (born 29 August 1935) is an American film director, producer and screenwriter best known for directing The French Connection in 1972 and The Exorcist in 1973; for the former, he won the Academy Award for Best Director. His recent film, Bug (2006) won the FIPRESCI prize at the Cannes Film Festival.
After seeing the movie Citizen Kane as a boy, Friedkin became fascinated with movies and began working for WGN-TV immediately after high school. He eventually started his directorial career doing live television shows and documentaries, including The People vs. Paul Crump which won several awards and contributed to the commutation of Crump’s death sentence. As mentioned in Friedkin’s voice-over commentary on the DVD re-release of Alfred Hitchcock’s Vertigo, Friedkin also directed one of the last episodes of The Alfred Hitchcock Hour in 1965, called “Off Season”. Hitchcock admonished Friedkin for not wearing a tie… read more
If there's one thing I've learnt from the movies it's that, the death of a young mother, two transport workers and a couple of cops is a small price to pay to protect the public from the choice of recreational drug use.
This film is from 1971. One must take that in before watching it. Also, I’m guessing this film shows more of a city than any other, in the same way; the cinematography is at times astounding, as are the choices by the characters. Talk about hard, illegal police-work! This is like a major precursor to “The Wire” where Hackman’s character – with the outrageous name Popeye Doyle – rules all. Nearly.
Even recognizing that Killer Joe is no French Connection, many critics appreciate its “bruising, full-contact entertainment.”
Le film s’inspirant de la fameuse French Connection se révèle extrêmement intéressant sur plusieurs points. Tout d’abord, il faut avouer que son casting en jette sévèrement un max. Scheider et Bianco… read review
A great cop movie and one of the most surreal interpretations ever brought on screen. It displays the ugly side of police work and some of the not so glorifying aspects to the men on the job. Gene… read review
One of the grittiest New York cop films of all time, coming at a moment in American cinema when gritty and European was everywhere, and William Friedkin, ever the brash young punk to take the ball… read review