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Synopsis

Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent stories as much as write them. All are waiting to cover the hanging of Earl Williams. When Williams escapes from the inept Sheriff, Hildy seizes the opportunity by using his $260 honeymoon money to payoff an insider and get the scoop on the escape. However, Walter Burns, the Post’s editor, is slow to repay Hildy back, hoping that he will stay on the story. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burns shows up to help. Can they keep Williams’ whereabouts secret long enough to get the scoop, especially with the Sheriff and other reporters hovering around? –IMDb

Director

Original

Lewis Milestone

Lewis Milestone (born Lewis Milstein in the Ukraine) came to the U.S. as a teenager, and while in the Army during World War I was an assistant director on training films. In Hollywood, he began working as an editor, and after writing and assistant directing in the early 1920s, he helmed his first feature for producer Howard Hughes, Seven Sinners (1925). Milestone’s comedy Two Arabian Knights (1927) was widely admired, but the director didn’t hit his stride until 1930 with All Quiet on the Western Front, his landmark adaptation of Erich Maria Remarque’s war novel. In the ‘30s Milestone scored major achievements in several genres, including comedy (The Front Page), musical (Hallelujah, I’m a Bum), and espionage (The General Died at Dawn); he capped the decade with his classic drama Of Mice And Men (1939), adaptated from John Steinbeck’s novella. Notable among his work of the 1940s and ‘50s are the war films Edge of Darkness (1943), The Purple Heart (1944), A Walk in the Sun (1946), and… read more

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Picture of Edward Copeland

Edward Copeland

4Apr11

The first screen incarnation of the classic play still works well, especially since it was made in the pre-Code era. Milestone's direction in particular proves impressives, even 80 years later. http://eddieonfilm.blogspot.com/2010/04/this-story-is-laid-in-mythical-kingdom.html

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