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The Fugitive Kind

United States

1960

121 Min
Black and White
1.66:1
English
  • Currently 3.8/5 Stars.
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DIR Sidney Lumet

PROD Richard Shepherd, Martin Jurow

SCR Tennessee Williams, Meade Roberts

DP Boris Kaufman

CAST Marlon Brando, Anna Magnani, Joanne Woodward, Victor Jory, Maureen Stapleton, R.G. Armstrong, John Baragrey, Emory Richardson

ED Carl Lerner

MUSIC Kenyon Hopkins

SOUND James Gleason

San Sebastián: Silver Seashell, Best Actress

Synopsis

Four Oscar–winning actors—Marlon Brando, Anna Magnani, Joanne Woodward, and Maureen Stapleton—sink their teeth into this enthralling film, which brings together the legendary talents of director Sidney Lumet and writer Tennessee Williams. A smoldering, snakeskin-jacketed Brando is Val Xavier, a drifter trying to go straight. He finds work and solace in a southern small-town variety store run by the married, sexually frustrated Lady Torrance (Magnani), who proves as much a temptation for Val as local wild child Carol Cutrere (Woodward). Lumet captures the intense, fearless performances and Williams’s hot-blooded storytelling and social critique with his customary restraint, resulting in a drama of uncommon sophistication and craft. –The Criterion Collection

Director

Original

Sidney Lumet

Sidney Lumet (born June 25, 1924) is an American film director, with over 50 films to his name, including 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982), all of which, except for Serpico (1973), earned him Academy Award nominations for Best Director.

According to The Encyclopedia of Hollywood, Lumet is one of the most prolific directors of the modern era making more than one movie per year on average since his directorial debut in 1957. He is especially noted for his ability to draw major actors to his projects. “Because of his visual economy, strong direction of actors, vigorous storytelling and use of the camera to accent themes,” states Turner Classic Movies. “Lumet produced a body of work that could only be defined as extraordinary.”

One of his steady themes during his career has been the “fragility of justice and the police and their corruption,” according to Thomson’s Biographical Dictionary of Film. He can deliver… read more

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Displaying 4 of 15 wall posts.
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Nikola

11May13

The first hour is super expository and a chore to get through, but the second half is just stunning! Brando and Magnani have an undeniable chemistry, and Lumet's direction is more than engrossing for such a theatrical piece.

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codyjhunter

27Mar13

Snakeskin!

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MS1915

4Nov12

I am a big fan of the Brando, but I have to see this movie just came off as weird. The atmosphere had a creepy-eery sense and while it may appeal to others, it wasn't for me. Acting was good, but failed to catch my eye.

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T. J. Harman

19Feb12

VERY underrated Lumet (and Williams). This may be my 2nd fave Brando performance (behind Last Tango).

David Grillo and 2 others like this

Jadranka Popovic, jeffreyreeser

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Articles

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W184

"Ride with the Devil," "The Fugitive Kind," Stanwyck

By David Hudson on April 27, 2010

Josef Braun: "Ride with the Devil (1999) was dumped into the marketplace over a decade ago with only the most meager fanfare, a magisterial

read article

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The parts are better than the whole

By H Rios on May 4, 2010

Brando’s deadpan superstar style and Magnani’s somber tone; Even Woodward’s hysterics have a certain charm. Dark atmospheric film with an interesting use of closeups: legs, faces, shadows. (of course…  read review

Forum

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Where is the BluRay version?

2 posts by 2 people almost 3 years ago

Curious and problematic

2 posts by 2 people about 3 years ago

The Man Who Came To Lunch with his laugh

2 posts by 2 people about 3 years ago