Four Oscar–winning actors—Marlon Brando, Anna Magnani, Joanne Woodward, and Maureen Stapleton—sink their teeth into this enthralling film, which brings together the legendary talents of director Sidney Lumet and writer Tennessee Williams. A smoldering, snakeskin-jacketed Brando is Val Xavier, a drifter trying to go straight. He finds work and solace in a southern small-town variety store run by the married, sexually frustrated Lady Torrance (Magnani), who proves as much a temptation for Val as local wild child Carol Cutrere (Woodward). Lumet captures the intense, fearless performances and Williams’s hot-blooded storytelling and social critique with his customary restraint, resulting in a drama of uncommon sophistication and craft. –The Criterion Collection
Sidney Lumet (born June 25, 1924) is an American film director, with over 50 films to his name, including 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982), all of which, except for Serpico (1973), earned him Academy Award nominations for Best Director.
According to The Encyclopedia of Hollywood, Lumet is one of the most prolific directors of the modern era making more than one movie per year on average since his directorial debut in 1957. He is especially noted for his ability to draw major actors to his projects. “Because of his visual economy, strong direction of actors, vigorous storytelling and use of the camera to accent themes,” states Turner Classic Movies. “Lumet produced a body of work that could only be defined as extraordinary.”
One of his steady themes during his career has been the “fragility of justice and the police and their corruption,” according to Thomson’s Biographical Dictionary of Film. He can deliver… read more
VERY underrated Lumet (and Williams). This may be my 2nd fave Brando performance (behind Last Tango).
Josef Braun: "Ride with the Devil (1999) was dumped into the marketplace over a decade ago with only the most meager fanfare, a magisterial
Brando’s deadpan superstar style and Magnani’s somber tone; Even Woodward’s hysterics have a certain charm. Dark atmospheric film with an interesting use of closeups: legs, faces, shadows. (of course… read review