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Synopsis

Barbara Stanwyck and Walter Huston are at their fierce finest in master Hollywood craftsman Anthony Mann’s crackling western melodrama The Furies. In 1870s New Mexico Territory, megalomaniacal widowed ranch owner T. C. Jeffords (Huston, in his final role) butts heads with his daughter, Vance (Stanwyck), a firebrand with serious daddy issues, over her dowry, choice of husband, and, finally, ownership of the land itself. Both sophisticated in its view of frontier settlement and ablaze with searing domestic drama, The Furies is a hidden treasure of American filmmaking, boasting Oscar™–nominated cinematography and vivid supporting turns from Judith Anderson, Wendell Corey, and Gilbert Roland. —The Criterion Collection

Director

Original

Anthony Mann

Anthony Mann (June 30, 1906 – April 29, 1967) was an American actor and film director.

Born Emil Anton Bundsmann in the Point Loma area of San Diego, Mann was the son of an Austrian immigrant, Emile Theodore Bundsmann, and Bertha Waxelbaum of Macon, Georgia.

Mann started out as an actor, appearing in plays off-Broadway in New York City. In 1938, he moved to Hollywood, where he joined the Selznick International Pictures.

Mann became an assistant director in 1942, directing low-budget assignments for RKO and Republic Pictures.

Mann was respected for his acute visual sensitivity toward the American Western landscape, effortlessly blending natural vistas with human drama. Mann’s dramas verged on classical tragedy, often showing anguished heroes attempting to resolve personal pain and confusion.

In 1967, Mann died from a heart attack in Berlin, Germany while filming the spy thriller A Dandy in Aspic. The film was completed by the film’s star, Laurence Harvey… read more

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axsaxs

4Apr12

What a strange, but entertaining, western-noir hybrid. I haven't seen anything like it. Great performances from both Stanwyck and Huston, with some really weird Freudian incest vibes thrown into the mix.

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Zach A

1Nov11

I was blown away by Barbara Stanwyck. Such a complex, layered western by Mann. But I can't help but attribute a great deal of the complexity to Stanwyck's performance. Mesmerizing. Would be a great double bill with Forty Guns by Samuel Fuller.

Seen Said likes this

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Dave

25May11

Criterion once again does film fans a huge service by making this one widely available. This one was overlooked in favor of Mann's more famous westerns with Stewart and Cooper, but it's just as good as anything he did in those other fine films. Walter Huston is great here, as is Stanwyck and the lush photography from Victor Milner is amazing. Great western.

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Franklinton Underground Cinema

7May11

Those fucking scissors...

Sabrina Crews likes this

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Articles

Our roundup of essays and articles on this film.
W184

Alberto Cavalcanti + Notes

By David Hudson on July 2, 2010

"Nowadays, Alberto Cavalcanti is well-known among film history buffs, but otherwise more or less forgotten. This is a shame for a number

read article

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Reviews

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A Freudian Furie

By Musycks on October 24, 2012

Anthony Mann’s theatrical background enabled him to meld the thematic hyper realism of the intensity found in Shakespeare and to transfer it to both his film noir features and oddly enough to his westerns…  read review

A Freudian Field Day - 4 stars

By lolo341 on November 27, 2011

Even by today’s standards The Furies is unconventional, and that’s what makes it so interesting. Part film noir, part Western, the story revolves more around relationships than gunfighting, and the…  read review

Untitled

By Christo​pher Smith on March 26, 2009

Very engrossing western epic from director Anthony Mann boasts excellent, bristling performances by Walter Huston (in his final role) and Barbara Stanwyck. Really more of a dark psychological domestic…  read review

Untitled

By Adam Suraf on December 6, 2008

Criterion’s first foray into the western couldn’t be more appropriate in the genre’s history, for this transitional work from Anthony Mann bridged the gap from his early noir to his more famous genre…  read review

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