André Téchiné’s latest film characteristically harnesses an accomplished ensemble cast to tell a story that unfolds with all the subtlety and richness of an expansive, well-structured novel. Emilie Dequenne plays young Jeanne, who applies for a secretarial job in the law firm run by Samuel Bleistein (Michel Blanc) – a leading figure in Paris’s Jewish community, and a former admirer of Jeanne’s mother Louise (Catherine Deneuve). Jeanne meanwhile forms a relationship with aspiring wrestler Franck (a charismatic Nicolas Duvauchelle), but their idyll is disrupted by a brutal incident which leaves Jeanne traumatized – and reacting in an unusual and extreme manner. As this leisurely drama develops, the characters’ personal dramas interweave with the political background, in particular the resurgence of French anti-Semitism. The cast is uniformly strong, Blanc especially piquant, but in particular the film is a terrific showcase for Dequenne, in her strongest lead role since the Dardenne brothers’ career-making Rosetta, and playing a part every bit as prickly and defiant as in that film. This is a provocative and involving piece from a sure-footed, but often underestimated, French master. —BFI
A critic with the Cahiers du Cinéma in the 60s, he made his directing debut with Paulina s’en va, his first feature, shown at the Fortnight in 1969. He returned to the Fortnight in 1975 with Souvenirs d’en France. Reputed for his work with actors, he has directed the likes of Isabelle Adjani, Catherine Deneuve, Jeanne Moreau, Juliette Binoche, Isabelle Huppert, Gérard Depardieu, Michel Blanc, Daniel Auteuil… He won several awards at Venice and Cannes and received three Césars in 1995 for Les roseaux sauvages. –Quinzaine des Réalisateurs
What a week for the French. Jacques Audiard's A Prophet, winner of the Grand Prix at Cannes, has made the Academy's Foreign Language Film
The Girl on the Train: a title like a "missed connections" posting. And the girl (Émilie Dequenne) really is lovely. She's got hair like
This film has a lot to do with what isn’t said. Leaving the audience to read between the lines. Which seems to be common in French and world cinema. Not so much driven by plot, Driven more by character… read review
Split into two halves, titled Circumstances and Consequences, the French film La fille du RER [The Girl on the Train] tells the based on a true story tale of a girl wanting simply to be loved. Young… read review