After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be “completely legitimate.” A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. “The Commission” of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn’t want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there’s Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael’s long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael’s naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather’s future plans.
He was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. His father was a composer and musician Carmine Coppola. His mother had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as soundman, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola’s first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of This Property is Condemned, by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning?, and Patton, the film for which Coppola won a Best Adapted Screenplay Academy Award. In 1966, Coppola’s 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George… read more
I enjoyed this ending equally with the previous two chapters of the overall Coreleone story, and it is not all that much of a rehashing as some claim it to be (though I do notice Garcia, at the beginning at least, trying a bit too hard to emulate James Caan, though maybe it was necessary), but I have to admit that I think they should've gave Duvall the money he wanted so we could see Tom Hagen once more.
It lacks the epic scope of its predecessors, and thus it feels like more of a rehash than a sequel. I liked some of the scenes between Kay and Michael, but for the most part the characters weren't very compelling this time around. The story is predictable and formulaic.
The Godfather is a character who in real life is to put responsibility on someone’s life. Assumes a role of responsibility, a second father to do everything in their power to the well-being of the… read review