Based on a true story, a group of allied escape artist type prisoners of war are all put in an ‘escape proof’ camp. Their leader decides to try to take out several hundred all at once. The first half of the film is played for comedy as the prisoners mostly outwit their jailers to dig the escape tunnel. The second half is high adventure as they use boats and trains and planes to get out of occupied Europe. —IMDb
One of Hollywood’s top action directors of the late 1950s and 1960s, John Sturges, for a time, was a name associated almost exclusively with large-scale action-adventure films. A one-time assistant in RKO’s blueprint department, Sturges spent most of his early career in the studio’s art department and editing room (an especially productive department, where directors Robert Wise and Mark Robson also got their starts), before joining David O. Selznick as a production assistant and later as an editor. He became a director in the U.S. Army Air Force, making documentary and training films, including Thunderbolt, in collaboration with veteran director William Wyler. He returned to Hollywood as a director and, for a time, made successful if fairly undistinguished films (mostly action or suspense) until 1954, when he took on Bad Day at Black Rock. Sturges, who had shown a knack for working with the increasingly difficult Spencer Tracy (in The People Against O’Hara), coaxed a great performance… read more
No one really talks about how paradoxical the tone of this film is, which establishes the Nazis as soft officials receptive to a good prank and concludes with them systemically murdering fifty of the film's 'jolly' protagonists. I enjoy the film greatly, I just wanted to share the thought.
Wiktor Górka’s Polish poster for the WWII POW drama leads to a look at the various international campaigns for the film.