In early 2009, a new generation of Iranians hoped for change through the upcoming presidential elections. Fueled by youthful exuberance and media technology, a groundswell—the so-called Green Wave—emerged to challenge the status quo, and caused a seismic shift in the political climate. A new brand of revolution seemed to be at hand. All polls predicted challenger Mir Hossein Mousavi would be the country’s next president; however, Mahmoud Ahmadinejad was declared the victor, prompting a backlash of unparalleled violence and oppression and a massive surge of human-rights violations that continues today.
In this powerful and urgent documentary, filmmaker Ali Samadi Ahadi integrates animation with live-action footage, testimonials, and posts from courageous Iranian bloggers, who dared to tell the world about the anatomy of the movement and its devastating consequences. The Green Wave is a remarkable portrait of modern political rebellion, an exposé of government-sanctioned violence, and a vision of peace and hope that continued resistance may galvanize a new Iran. –Sundance Film Festival
Ali Samadi Ahadi was born in 1972 in Azerbaijan/ Iran. During the Iran-Iraq war Ali escaped alone from home when he was 12 years old. He arrived in Germany without his family and took his Abitur (highest school degree in Germany, equivalent to British A-levels and US SAT) in Hannover. At the Gesamthochschule (equivalent to former polytechnics in GB. or amalgamated university in the US.) Kassel Ali Samadi graduated in Visual Communication. He’s already directed several short documentary films. The documentary Africa Mayibuye had its premiere at the filmfestival of Mannheim. For his music documentary film „Culture Clan“ Ali was nominated for the „rose d`or 2005“at the Montreux film festival. Lost Children is his debut as author and director. —lost-children.de
To Ali Samadi Ahadi, Were you aware that my book published in 2009 The Quigley Alchemy, (Amazon) was dedicated to Neda? RussMcDevitt.
"How do you show what it was like for the Iranian protesters arrested during the green revolution of 2009?" asks Geoffrey Macnab in the Guardian
Towards the end of a rocky year for British filmmakers, particularly the independently funded ones, Tom Hooper's The King's Speech has been