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The House

A Casa

Lithuania, Portugal, France

1997

120 Min
Color
1.37:1
Lithuanian, French, French Sign Language
  • Currently 4.4/5 Stars.
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DIR Sharunas Bartas

PROD Paulo Branco

SCR Sharunas Bartas, Yekaterina Golubeva

DP Sharunas Bartas, Rimvydas Leipus

CAST Francisco Nascimento, Valeria Bruni Tedeschi, Léos Carax, Viktorija Nareiko, Eugenia Sulgaite, Leonardas Zelcius

ED Mingilié Murmulaitiné

Cannes (Un Certain Regard), São Paulo, Mar del Plata

Synopsis

A contemplative ode to the home. The home as a centre of everyday routine and relationships. The home with all it’s comings and goings. The home as a centre of unions and separations. The home as a centre of life that shelters its inhabitants from a wedding, a funeral, fireworks… Each character who lives, passes, enters or leaves the home, each room plays it’s own role. –Cannes Film Festival

Director

Original

Sharunas Bartas

Šarūnas BARTAS (1964-) – Lithuanian film director, one of the most outstanding representatives of cinematographers. His contacts with cinema began in 1985 with the TV serial “Sixteen-years-olds” (dir. Raimondas Banionis), where Bartas played one of the main roles. He is a graduate of the Moscow Film School (VGIK). He made his directorial debut with his diploma film, the short documentary “Tofolaria” and mediocre-length film (which called spectators’ attention) “For the Remembrance of Last Day” (1989), where the real personages are “acting themselves” according to the principles of feature film. The author further “purified” the specific cinema language in the full-length film “Three Days” (1991), which was awarded the prize of oicumene committee at Berlin Film Festival (for the problems, the importance of the theme, the profundity) in 1992, and FIPRESCI Prize for the originality of the style, the significance of the theme, the beauty of pictures. This is a story (almost without plot… read more

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Displaying 4 of 6 wall posts.
Picture of DirtyBee

DirtyBee

7Apr12

"...dead souls, sick souls, simply that..."

Picture of Savannah

Savannah

28Mar12

Dialogue-free abstractions of domestic emotion and deep, somber nostalgia. Wonderful. This is how you create a language of images without resorting to kooky-for-kooky's-sake visuals.

Picture of frank sgro

frank sgro

30Nov11

Opera dall'atmosfera straniante ed estremamente dark dove il silenzio non è mai stato così disturbante! Alienating work and extremely dark atmosphere where the silence has never been so disturbing!

Alessio Di Zio and Santropez like this

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Nayo Aragón

14Aug11

the only dialogue here are two monologues at the beggining and at the end and it's still a very eye grabbing film.

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Helluva Dinner Party

By Alexand​er Robino on November 23, 2011

First of all, was I floored by this film? No, not necessarily. However, there were some powerful and heavy emotions emitting from those images all the same.

There are many possible endings for…  read review

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