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Displaying all 7 wall posts
Picture of apexa

apexa

20Mar13

Pretty easy to see where Leos Carax gets a lot of is influence for 'Pola X' with this film. I didn't find it as engaging as Bartas's previous efforts but maybe that's because I felt like the others had more richness in the context of post-soviet eastern European conditions. The homage references to Tarkovsky as usual are done with the utmost respect and doesn't feel like he is blatantly lifting off of him.

m. noone and John like this

  • Picture of John

    John

    21Apr13

    Same thoughts exactly, just about. Three Days is still my favorite, and The Corridor was amazing, but it is better, in general, when such imagery has something of a context to fit it. I could imagine this playing next to Sokurov's Heartbreak House.

Picture of Scott Barley

Scott Barley

12Dec12

A beautiful and fragile series of images. I'm going to revisit this, as I believe that there is more to discover and understand.

Rman likes this

Picture of Savannah

Savannah

28Mar12

Dialogue-free abstractions of domestic emotion and deep, somber nostalgia. Wonderful. This is how you create a language of images without resorting to kooky-for-kooky's-sake visuals.

Picture of frank sgro

frank sgro

30Nov11

Opera dall'atmosfera straniante ed estremamente dark dove il silenzio non è mai stato così disturbante! Alienating work and extremely dark atmosphere where the silence has never been so disturbing!

Bruno Leal and Santropez like this

Picture of Nayo Aragón

Nayo Aragón

14Aug11

the only dialogue here are two monologues at the beggining and at the end and it's still a very eye grabbing film.

Picture of Kelvane

Kelvane

16Jun11

Methodically pursues and achieves its goals.

Picture of wak

wak

18Jul10

So many faces, and yet, so alone.

davidleal likes this