Farmer Ivan Dunaev gets up early. He feeds his piglets, does paperwork, fixes the tractor, and weighs the meat he’ll take in his old pickup truck to the market to sell. He has a wife, a teenage daughter, and a young son. And he loves to hunt. His world revolves around these things. Then, one day, two new workers, Lyuba and Raya, on work release from the local prison colony, arrive on the farm. Ivan doesn’t notice it at first, but something begins to change. –Cannes Film Festival
Bakur Bakuradze is a film director born in 1969 in the Georgian capital Tbilisi. Before beginning his career in film he worked as an auto-mechanic and an economic engineer, in addition to serving in the Soviet Army from 1987 to 1989. He graduated from VGIK (Gerasimov All-Russian State Institute of Cinematography in Moscow) in 1998, and began a career as a scriptwriter and assistant director, working on a range of narrative and documentary projects. In 2005, his documentary film The Diamond Path (Almaznii Put’) was named “Best Film about Business” at the Ukranian journalistic convention PRESSzvanie (PRESSrank). In 2006, his 35-minute narrative film Moscow won recognition at the Kinotavr Film Festival, and later was included in a screening of short films at the Cannes Short Corner, and in non-competitive screenings at international film festivals in Oberhausen (Germany) and Turin (Italy). In 2008 he completed work on his feature film Shultes, which went on to win the grand prize at the… read more
High time to round up the films at this year's Cannes Film Festival that never saw entries of their own and send them on their way. Today
Bakur Bakuradze is a director of great tenacity, of strong stylistic choices, of clear standpoints in the way he looks at Russia to design