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Synopsis

The Illiac Passion is a radical interpretation of Aeschylus’ Prometheus Bound that re-images the classical text within the realm of postwar American film and culture. Figures from New York’s avant-garde community are cast as mythical beings, including Gerard Malanga (Ganymede), Jack Smith (Orpheus), Taylor Mead (The Demon or Sprite) and Andy Warhol (Poseidon) who rides an exercise bike over a sea of plastic sheeting. Markopolous’s most critically acclaimed film features hypnotic imagery and a sparse soundtrack that includes the director reading Thoreau’s translation of the Aeschylus text and musical excerpts from Bartok. –Queensland Art Gallery

Director

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Gregory J. Markopoulos

Gregory Markopoulos (March 12, 1928 – November 12, 1992) was an Greek-American experimental filmmaker. Born in Toledo, Ohio to Greek immigrant parents, Markopoulos began making 8 mm films at an early age. He attended USC Film School in the late 1940’s, and went on to become a notable co-founder — with Jonas Mekas, Shirley Clarke, Stan Brakhage and others — of the New American Cinema movement, a contributor to Film Culture magazine, and an instructor at the Art Institute of Chicago.

In 1967, he and his partner Robert Beavers left the United States for permanent residence in Europe. Once ensconced in self-imposed exile, Markopoulos withdrew his films from circulation, refused any interviews, and insisted that a chapter about him be removed from the 2nd edition of Visionary Film, P. Adams Sitney’s seminal study of American Avant-Garde Cinema. While he continued to make films, his work went largely unseen for almost thirty years. —Wikipedia 

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