In The International, Interpol Agent Louis Salinger and Manhattan Assistant District Attorney Eleanor Whitman are determined to bring to justice one of the world’s most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman’s investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing – even murder – to continue financing terror and war. —IMDb
TOM TYKWER was born in 1965 in Wuppertal. “Peter Pan” was probably the first film he saw, and he says that the youthful fantasy of creating a magical parallel world remains an inspiration to this day. The dreamy, childlike sense of wonder in “Peter Pan” fascinated him, as did Vittorio de Sica’s “Miracle in Milan”. Another important cinematic experience was seeing “King Kong” – nine-year-old Tykwer realized that cinema was artificial, man-made. This particular film marked the start of his fondness for the horror genre. Tykwer also names James Whales’ “Bride of Frankenstein”, "Miracle in Milan” and John Carpenter’s “Halloween” as some other early discoveries. From this point on Tykwer’s adolescence revolved round his passion for the cinema. To get greater access to films he helped out in an art-house cinema, which also allowed him to circumvent age restrictions.
Tykwer started making Super 8 films at the age of eleven, a purely fan-driven exercise in which he essentially rehashed… read more
Due largely to some pretty horrible dialogue that the actors, for the most part, are unable to overcome, the last 1/4-1/3 of the movie, once it has shifted from mystery to action film, is actually better than the rest.
Imagine for a second a Fleming Bond stripped of glamour and sophistication or a Bourne without the plot device. Imagine the tedium of the bland urban greys and cold metallic blues that make up real… read review