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The Interval

L'intervallo

Italy, Switzerland, Germany

2012

90 Min
Color
1.85:1
Italian
  • Currently 3.4/5 Stars.
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DIR Leonardo di Costanzo

PROD Carlo Cresto-Dina, Tiziana Soudani

SCR Leonardo di Costanzo, Maurizio Braucci, Mariangela Barbanente

DP Luca Bigazzi

CAST Antonio Buíl, Alessio Gallo, Carmine Paternoster, Francesca Riso, Salvatore Ruocco

ED Carlotta Cristiani

PROD DES Luca Servino

Venice (Horizons): FIPRESCI Prize, Pasinetti Award, Toronto (Discovery), CPH PIX (New Talent)

Synopsis

A boy and a girl are locked in an enormous abandoned building in a rundown area. She is a prisoner and the local clan leader has forced him to be her warder. Despite their youth, both of them have grown up too fast. Veronica acts like a mature and open-minded woman whilst Salvatore is like a man who wants to hold on to his job and lead a quiet life. Thus, when faced with the violence of this incarceration, the two young people have different reactions: Veronica is restless and rebellious; Salvatore is more remissive and accommodating, either out of fear or realism. They are both victims but it is almost as though each blames the other for their reclusion. However, as the hours go by, their mutual hostility is transformed into an inevitable intimacy, consisting of reciprocal discoveries and confessions. Between the walls of that isolated and frightening place, Veronica and Salvatore fi nd a way to rekindle those adolescent dreams and ideas put aside too soon. Thus the two of them enjoy a break from their prematurely adult lives and in the end are tempted to transform their imaginary escape into a real one before the gang presents Veronica with its verdict. —labiennale

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Jorge Mourinha

16Nov12

La parenthèse enchantée when kids can go back to be just kids.

darjee likes this

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Enrico Gaudenzi

13Nov12

Non un brutto film ma aspettative molto alte (e disattese) dovute alle critiche. Compatto, poetico e gradevole. Bella la scenografia (un vecchio manicomio) e la fotografia. Un altro film meridionalista (in dialetto napoletano con sottotitoli) dopo Reality e E' stato il figlio. Che il sud stia diventando l'eldorado nostrana del cinema d'autore?

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elisa2046

11Sep12

Incredible debut. A work based on a perfect balance from beginning to end. It wasn't easy to tell a story like that, there was the risk of falling into rhetoric or in easy drama. Instead, the result is a deep and sensitive opera. And Salvatore's smile worths the whole movie.

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Diariomastorna

8Sep12

One of the best italian debuts of the last decade, even if the director is not a youngster. It's apparently a simple story about two teenagers living in a difficult reality, forced to stay together for a day. But it's not just a tale about growing up, or knowing someone else, not only about reaching a compromise with our dreams (well, for this generation isn't that easy even define what's their dream) Watch it!

Yu La likes this

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W184

TIFF 2012. Toronto Notes: In Search for the Italian People

By Marie-Pierre Duhamel on September 12, 2012

A combination of two Italian films at the festival show different approaches to the search for an image for today of Italian people.

read article

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