A man in a gleaming white suit comes to a small Southern town on the eve of integration. His name is Adam Cramer. He calls himself a social reformer. But his aim is to incite the people against letting black children into the town’s white school. Soon he has the white citizens of the town worked up. He thinks he’s leading them; but a man he befriends and immediately betrays knows better. The people have become a mob. The black leader of a church and a white newspaper editor soon feel its wrath. But after a false accusation against a black student, Adam Cramer may find the people are totally and permanently out of his control. –IMDb
Roger William Corman (born April 5, 1926), sometimes nicknamed “King of the Bs” for his output of B-movies (though he himself rejects this as inaccurate), is an Academy Award-winning American producer and director of low-budget movies, some of which have an established critical reputation: his cycle of films derived from the tales of Edgar Allan Poe for example. Corman is also a sometime actor, taking minor roles in such films as The Silence of the Lambs, The Godfather Part II, Apollo 13 and Philadelphia.
Corman has apprenticed many now-famous directors, stressing the importance of budgeting and resourcefulness; Corman once joked he could make a film about the fall of the Roman Empire with two extras and a sagebrush. One of the most expensive films he produced was Battle Beyond the Stars. —Wikipedia
According to Corman, was the only one of its more than 300 films as producer or director at a loss. I consider the film a masterpiece. And it is.
Before turning to the doc that's premiered at Sundance, let's note that Dave Kehr's DVD column in the New York Times this week is devoted