In 1988 the British director Cynthia Beatt, who is based in Berlin, embarked on a journey into little-known territory. She filmed Tilda Swinton as they followed the Berlin Wall, capturing the inward-looking West Berlin and the over-the-Wall views of East Berlin. Today “Cycling the Frame“ is a rare historic document and Tilda Swinton, who was honoured with the Oscar last year, is one of the world’s most admired performers. In June 2009, Cynthia Beatt and Tilda Swinton re-traced the line of the Wall that once isolated Berlin from East and West Germany. “The Invisible Frame“ describes this journey, the print of a second foot, a Wall’s fall and 21 years later, through varied landscapes, this time on both sides of the former Wall. The stagnation of organic growth that characterized the areas separated by the Wall, is now replaced by unchecked nature and building development. The rhythmic interaction of fixed camera and tracking shots combine in a vibrant orbiting of Berlin, visually intertwining west and east. Tilda Swinton’s personal reflections are integrated as inner monologues and complete the film’s soundscape composed by Simon Fisher Turner, who collaborated with Derek Jarman and Tilda Swinton in the 80’s.
Maps are such fake things. A map says time has frozen. But time goes on changing all the time. Walls come down. Walls are replaced by others. Perhaps not walls of oppression but walls of greed, finance, regentrifigation. History may erase traces but not memory. Fine picture from Cynthia Beatt and Tilda Swinton with a very apt dedication in the end. Well worth reflecting on.
"It’s a fearful heart that builds a wall and it is a fearless heart that can live without it. And coming into contact with someone with a fearless heart, disarms you. You lay down your arms in the presence of a fearless heart, a wall-less heart. And it is a very solitary decision to have a fearless heart. It’s the real freedom."
It’s a fascinating idea for a film. Unfortunately it’s quite a tough watch as it can drag quite a bit. I think perhaps if it was about 40mins instead of 1hour it might have fixed that problem. Regardless… read review
First off, watch this with a pair of good speakers or at least a nice set of headphones. The soundscape by Simon Fisher Turner is strikingly incredible. I would say that the film is worth a watch if… read review