The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. It is based on the short story The Killers by Ernest Hemingway, written in 1927. It was Tarkovsky’s first film, produced when he was a student at the State Institute of Cinematography (VGIK).
The Killers is an adaptation of a short story by Ernest Hemingway. The story is divided into three scenes. The first and third scenes were directed by Beiku and Tarkovsky, the second by Gordon.
The first scene shows Nick Adams (Yuli Fait) observing two gangsters (Valentin Vinogradov and Boris Novikov) in black coats and black hats entering a small-town diner where Adams is eating. They tell the owner, George (Aleksandr Gordon), that they are searching for the boxer Ole Anderson and that they want to kill him. They tie up Nick Adams and the cook, and wait for Ole Anderson to appear. Three customers enter the restaurant and are sent away by George. One of the customers is played by Tarkovsky, who whistles Lullaby of Birdland.
The second scene shows Nick Adams visiting Ole Anderson (Vasili Shukshin) in his hide-out, a small room. He warns Anderson about the two gangsters, but Anderson is resigned to his fate and unwilling to flee.
The third scene shows Adams returning to the diner and informing the owner of Anderson’s decision.
One of the most important artists of the second half of the twentieth century, Tarkovsky was one of the few unqualified masters in the history of film. While he certainly wasn’t the only great director of his generation of Soviet filmmakers, he was, like Eisenstein was to an earlier generation, its most renowned and most influential.
The son of artists- actress Maria Ivanovna and poet Arseni Tarkovski— he studied both Arabic and geology before turning to film. He enrolled at VGIK in 1959, directed the acclaimed short The Steamroller and the Violin in 1960 and won the Golden Lion at the Venice International Film Festival for his first feature, Ivan’s Childhood, in 1962. By the time he completed his second feature, Andrei Rublev, he was regarded by many as “a poet of the cinema” – and by the Soviet censors as dangerously esoteric. Unreleased in the Soviet Union until 1971 (and then only in a truncated version), Andrei Rublev was seen first at international festivals and widely… read more
Ce premier court-métrage d’Andreï Tarkovski a été réalisé lorsqu’il était encore étudiant. Et il n’était pas seul à mener la barque puisqu’on retrouve Aleksandr Gordon et Marika Beiku pour mener à… read review