Stanley Kubrick's meticulous race track noir is also a bitterly ironic deconstruction of a seemingly unattainable American Dream. Sterling Hayden, all but reprising his role from "The Asphalt Jungle", leads a point by point take down of the track's money vault, only to see his winnings explode in a horrible gust of mockery on an airport tarmac, as Kubrick suggests, nothing comes easy, for hoods or the like. Great.
I admire it more than I like it, but its old-school noirness and influential structure make it a crucial bridge film between old and new Hollywood.
"the camera watches the whole shoddy show with the keen eye of a terrier stalking a pack of rats."–Time Magazine
Brilliant and ironic, one of my favorite noirs. I also love the interviews with Sterling Hayden about Kubrick and The Killing. "My agent Bill Schiffrin called me and he said, 'There's some weirdo out here from New York who's supposed to be a bloody genius and he's got a script that people think is great, but some of us know better. The problem is he tells everything five times from five different points of view.'"
Absolute masterpiece when it comes to "film noir", one of my top faves ! The character study here is just brillant !
Easily my favorite Stanley Kubrick movie. For as gritty as the astounding and understated cast, dialogue and story are and for as early into Kubrick's career as The Killing was, his direction and camerawork are the standout and real focal point of this movie. Its a beautiful combination of a film noir and a heist movie that remains unfairly unknown.
Just watched Kubrick’s The Killing and was really impressed! Sterling Hayden was born to be a film noir star.
I can't say I loved it, but it wasn't terrible... Kubrick would go onto do much better films
A good idea for a story, told so-so. There are fleeting moments of brilliance and some excellent shots, but ultimately "It's a bad joke without a punchline."
Wonderfully taught and innovative, even in Kubrick's early days. Fantastic seedy dialogue from Jim Thompson. And Sterling Hayden is the man as always.
An early Stanley Kubrick. Not something for which he became famous for, but one can certainly notice that a genius is at work in this movie. A perfect heist movie, tells the story of a robbery from the different prospectives of the individuals, flashbacks and flash-forwards, present two successive scenes that are actually taking place simultaneously. Crafty work of cinema. Highly Recommended!
The shooting scene and the ending are the weak parts of the movie and I didn't like the steady, unimaginative camera.