Wang Bianlian is an aging street performer known as the King of Mask for his mastery of Sichuan Change Art in a true story. His wife left him with and infant son over 30 years ago. The son died from illness at age 10. This left Wang a melancholy loner aching for a male descendent to learn his rare and dying art. A famous master performer of the Sichuan Opera offers to bring him into his act, thus giving Wang fame and possible fortune, but Wang opts for staying the simple street performer. Then, one night after a performance he is sold a young boy by a slave trader posing as the boy’s parent. “Grandpa” finds new joy in life as he plans to teach “Doggie” (an affectionate term often used for young children in China) his art. All is well until Doggie is found out to really be a girl. –IMDb
An important figure in China’s “Fourth Generation”, Wu Tianming also served as mentor to such “Fifth Generation” directors as Zhang Yimou, Chen Kaige and Tian Zhuangzhuang while heading the Xi’an Film Studio. Born in 1939, Wu developed an early interest in the theater and worked odd jobs at local playhouses in order to observe the actors at work. By the time he reached his teens, however, he had shifted interest to motion pictures, crediting Dovzhenko’s “Poem of the Sea” (1958) as the primary impetus for his filmmaking career. But he first put in time as a stage actor and, after 1960, a film player with Xi’an Film Studio. Six years later, he was on the way to realizing his dream of attending the Beijing Film Academy but the stirrings of the Cultural Revolution derailed those plans as his father, a local government official, was purged from his post and imprisoned.
In the early 1970s, as the thaw began, Wu finally enrolled at the Beijing Film Academy and began his career in earnest… read more