Acclaimed director Lars von Trier (Dogville, Dancer in the Dark) delves into the world of the supernatural with the acclaimed series that inspired Stephen King’s Kingdom Hospital. At The Kingdom, Denmark’s most technologically advanced hospital, a number of strange and otherworldly events begin to occur, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft and a doctor’s fetus begins growing at an alarming rate. —Koch Lorber Films
Part two of four.
With a back-story (almost) as singular as his films, Danish director Lars von Trier was one of the most exceptional filmmakers to burst onto the international film scene in the 1990s. Unapologetically confident in his artistry and an unabashed provocateur, von Trier could kick up a fuss about his behavior, but his stylistic brio, extreme narratives, and ability with actors prevented such films as Zentropa (1991), The Kingdom (1994), Breaking the Waves (1996), and Dancer in the Dark (2000) from being eclipsed by their creator. Even as he openly sought a larger audience by making films in English, von Trier’s success helped resurrect Scandinavian cinema’s international prominence; his intense fear of flying ensured he’d never “go Hollywood.”
Raised by his radical, nudist Communist parents in an unconventional environment where, as von Trier once put it, everything was permitted except “feelings, religion and enjoyment,” von Trier blossomed into a neurotic, left-wing, movie-loving… read more
In the second chapter we begin to see where we are being led. Our characters become more flesh out and we the audience are already picking our favourites. The fish out of water Stig, the picked on secret puppetmaster Stig, the ever present Mrs Drusse and the dim witted administrator. And beneath all else the element of the supernatural and the feeling of dread. Kind of the filler before all hell breaks loose.