Bernardo Bertolucci’s The Last Emperor won nine Academy Awards, unexpectedly sweeping every category in which it was nominated—quite a feat for a challenging, multilayered epic directed by an Italian and starring an international cast. Yet the power and scope of the film was, and remains, undeniable—the life of Emperor Pu Yi, who took the throne at age three, in 1908, before witnessing decades of cultural and political upheaval, within and without the walls of the Forbidden City. Recreating Ching dynasty China with astonishing detail and unparalleled craftsmanship by cinematographer Vittorio Storaro and production designer Ferdinando Scarfiotti, The Last Emperor is also an intimate character study of one man reconciling personal responsibility and political legacy. —The Criterion Collection
Known both for sweeping epics and for helping to bring eroticism into general release with Last Tango in Paris, Bernardo Bertolucci is one of the pre-eminent international directors of the latter half of the twentieth century. The son of poet, film critic, and anthologist Attilio Bertolucci, he was born on March 16, 1940 in Parma. Surrounded by an atmosphere of comfort and intellectualism, Bertolucci began making 16 mm films as a teenager. In addition to making two short films about children, he also gained a certain amount of respect as a writer, winning the Premio Viareggio (one of Italy’s top literary awards) for his first book, In Search of Mystery. Going on to study at the University of Rome, Bertolucci started his film career as an assistant director to Pier Paolo Pasolini. After working on Pasolini’s Accatone, he left the University in 1961 and embarked on his own independent film study.
Bertolucci made his directing debut the following year with La Commare Secca (The… read more
Bertolucci filmed for us a very good story from the PRC's history. A long but very engaging and emotional film. The downpoint is only of the language, IMHO it will be better if Bertolucci used the native Chinese language for its authenticity.
A dramatic fascinating insight-look of the history of Pu Yi, the last of the Emperors of China. Stunning achievement for the cinematic score and for the customes. It's detailing and the story stands up high as well. This was a very powerful movie. But be ready to sit through 3+ hours for this.
It was so stunning, so beautiful, so intelligent, I came out of the cinema in a daze - I mean, literally dazed! - wandering along the street absorbing what I'd just experienced.
Also: Syrian filmmaker Nidal Hassan arrested. The death and afterlife of film. Bertolucci’s Last Emperor in 3D.
The Last Emperor is an incredibly moving Film about the young emperor of China, Puyi. It follows Puyi throughout his reign, and his entire life, and is portrayed wonderfully by the four different Actors… read review
While the technical aspects of the film are outstanding (cinematography, art direction, costumes etc), the story itself fell flat. The running time is long but there really was not much the director… read review
The grandeur of Storaro’s compositions and the epic story magnificently told by Bertolucci never quite made up for the fact that I just plain didn’t like the main character. I imagine that it is historically… read review
I really Really wanted to like this film a lot more but the grandness that i was expecting to see was not there. The forbidden city felt smaller than a hollywood studio set and i was generally confused… read review