The Last House on the Left

Rising out of the mid-western suburbs of Cleveland, Ohio, Wes Craven has become synonymous with genre bending and innovative horror, challenging audiences with his bold visions and keeping them on the edge of their seats since the release of his first feature film, The Last House on the Left, which he wrote, directed, and edited in 1972. In the 39 years since that controversial film’s arrival, Craven has demonstrated that he is a filmmaker with heart, guts, humor – and an unbridled imagination expanding into films, television, and literature.

Craven’s career is marked with both creative and commercial milestones that have made his name synonymous with genre building and innovative horror.
Craven reinvented the youth horror genre again in 1984 with the classic A Nightmare on Elm Street, a film he wrote and directed. And though he did not direct any of its five sequels, he deconstructed the genre a decade later, writing and directing the audacious Wes Craven’s New Nightmare, which was nominated as Best Feature at the 1995 Independent Spirit Awards, and introduced the concept of self-reflexive genre films to the world.

In 1996 Craven reached a new level of success with the release of Scream. The film, which sparked the phenomenal trilogy, was the winner of MTV’s 1996 Best Movie Award and grossed more than $100 million domestically, as did Scream 2 (1997).

Between Scream 2 and Scream 3, Craven, offered the opportunity to direct a non-genre film for Miramax, helmed Music of the Heart (1999), a film that earned Meryl Streep an Academy Award nomination for Best Actress. That same year, in the midst of directing, Craven completed his first novel, “The Fountain Society,” published by Simon & Shuster.

Craven has also directed Vampire in Brooklyn (1995), The Serpent and the Rainbow (1988) and Deadly Friend (1986). He wrote and directed The People under the Stairs (1991), Shocker (1989) and Swamp Thing (1982); he wrote, directed and edited The Hills Have Eyes (1977), and its sequel as well. For television, Craven helped create and produce the series Nightmare Cafe for NBC, directed the telefilms Night Visions, A Stranger in our House, Invitation to Hell, Chiller, and Casebusters, and directed seven classic episodes of the 1980’s revival of The Twilight Zone, which have now been released on DVD. Oh, and he discovered Johnny Depp, Bruce Willis and Sharon Stone, among others.

Recent work includes Craven’s 2005 psychological thriller, Red Eye, starring Rachel McAdams, Cillian Murphy and Brian Cox. In 2006 Craven deftly wrote and directed a romantic comedy homage to Oscar Wilde featuring Emily Mortimer and Rufus Sewell as a segment in the French ensemble production, Paris, je t’aime. Over the last few years, Craven has also produced remakes of two of his earlier films for his genre fans, The Hills Have Eyes (2006) and The Last House on the Left (2009).

Craven has always had an eye for discovering fresh talent, something that contributes to the success of his films. While casting A Nightmare on Elm Street, Craven discovered the then unknown Johnny Depp. Craven later cast Sharon Stone in her first starring role for his film Deadly Blessing. He even gave Bruce Willis his first featured role in an episode of TV’s mid-80’s edition of The Twilight Zone. In 2010’s, My Soul to Take, Craven once again brought together a cast of up-and-coming young teens, including Max Thieriot, in whom he saw the spark of stardom. The film marked Craven’s first collaboration with wife and producer Iya Labunka, who also produced with him the highly anticipated production of Scream 4.

Craven’s most recent film, Scream 4 (2011) reunites the director with Dimension Films and Kevin Williamson, as well as with stars Neve Campbell, Courteney Cox and David Arquette, to re-boot the beloved franchise. Craven again exhibits his knack for spotting important talent, with a cast of young actors bringing us a totally new breed of Woodsboro high schoolers, including Emma Robert and Hayden Pannetierre. —wescraven.com