In his third feature, Ghassan Salhab presents a new brand of atmospheric and scary vampire movie. This unique work is neither horror film nor horror spoof, but a drama deeply rooted in the social concerns of the director. His protagonist, Khalil (Carlos Chahine), a chief surgeon in a major Beirut hospital, is shocked by a series of murders that all carry the marks of vampirism. As khalil becomes more isolated within his own web of thoughts and desires, he also comes to resemble the killer he is seemingly searching for. This is a mysterious film, full of socially aware metaphors for the current situation in post-civil war Lebanon and the main character makes a considerable impact. There is no violence, gore or excessive use of blood, but the subject matter is certainly not for the very young. (arabic title: Atlal) —Dubai Film Festival
Ghassan Salhab (Arabic; غسان سلهب, born 4th May 1958) is a Lebanese screenwriter, film director, and producer. Salhab was born in in Dakar, Senegal to Lebanese parents. In Addition to making his own films, Salhab collaborates on various scenarios in Lebanon and in France, and teaches film at ALBA and USJ. He has directed three feature films: Beyrouth Fantome, Terra Incognita and The Last Man. He has also made numerous short films and videos, including: Posthume, Narcisse Perdu, My living body, my dead body, La Rose de Personne, Afrique Fantome, and Apres la Mort. He has published his texts and articles in Various magazines. His fourth feature film, 1958 Autoportrait d’hier, was screened at Cinema Metropolis / Empire Sofil on May 4, 2009. —wikipedia