A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portugese fishing village. He is asked to pull off one last job, involving driving a dangerous crook and his girl-friend to France. However, the job turns out to be a double-cross and the trio are pursued back to Portugal where they make one last stand on the coast while the enemy assassins attempt to gun them down. —IMDb
The son of famed animator Max Fleischer (Popeye, Betty Boop et. al.), Richard O. Fleischer was a psychology student at Brown University when he dropped out in favor of the Yale Drama Department. At age 21, Fleischer organized a campus theatrical troupe called the Arena Players. In 1942, he went to work for RKO-Pathe in New York, editing the company’s weekly newsreels before producing and directing his own short-subject projects, including the March of Time-like This is America and a series of gagged-up silent-film vignettes titled Flicker Flashbacks. In 1946, he headed to Hollywood, there to direct feature films for Pathe’s parent studio, RKO Radio; his last short-subject effort was the Oscar-winning Design for Death (1948). At first limited to “B” pictures, Fleischer gained a loyal critical following with such topnotch films as Follow Me Quietly (1949) and The Narrow Margin (1952).
Perhaps sensing that RKO was on its last legs, Fleischer moved on to MGM, then to Walt Disney… read more
The son of actor Walter Huston, American film director John Marcellus Huston was born in Missouri, travelling widely with his family in vaudeville circles, he enjoyed a wild and unconventional youth.
He boxed, rode horses in Mexico and wrote for magazines in New York, before writing dialogue for Hollywood. Before breaking into directing, Huston also spent time acting and street-performing in Paris and London.
His first film, ‘The Maltese Falcon’, was made in 1941, becoming the classic adaptation, and making a star out of Humphrey Bogart. Bogart also appeared in Huston’s next few films: ‘Key Largo’, ‘Across The Pacific’ and ‘The Treasure of The Sierra Madre’.
It was with the latter that Huston won his first Best Director Oscar. His father, Walter, also appeared in the film, winning Best Supporting Actor.
Making military documentaries during World War II, Huston hit the big time again with his 1950 crime film, ‘The Asphalt Jungle’. Following this was ‘The African… read more