At last, Martin Scorsese’s most personal masterpiece can be seen outside of the controversy it engendered, and be seen for what it is: a fifteen-year labor of love. Nikos Kazantzakis’s landmark novel comes to breathtaking life in this moving and spiritual film. The all-star cast includes Harvey Keitel, Barbara Hershey, Harry Dean Stanton, David Bowie, and Willem Dafoe as Jesus. —The Criterion Collection
Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more
I grew up under a christian household. I haven't retained everything from that religion but some of it is instilled in me. That being said I didn't find this offensive at all. The people bitching about the 'temptation' most likely haven't watched it. It's poignant and moving. I don't think it's perfect though. The final act does seem a bit long winded but I've only seen this once and look forward to seeing it again!
Keitel's streetwise, resentful Judas is the key to this film. Judas is the most interesting character here precisely because his betrayal is always couched in the light of his worldliness; after all, what is worse than to be compelled by your leader to betray him, and to enter into the betrayal knowing full well the hate which will be accorded you?
Revisiting the icon’s impact on pop and, to a lesser degree, of course, cinema.
La ultima tentación de cristo significó un giro radical en la carrera de Martin Scorcese, despues de cintas mas afines por sus temas al gusto del publico norteamericano (y, por supuesto, de sus seguidores… read review
As a Christian, I find the film very encouraging to my faith. While I find some strong inconsistencies to scripture in the begining of the film, as a complete work it is compling. Have said that… read review
“You think it’s a blessing to know what God wants?”
The only film about Jesus that ever made any sense to me. Peter Gabriel’s magnificent score. Satan as a white British teen girl. The silence… read review
Martin Scorsese’s controversial passion project would probably have a far greater impact on a person of faith – whose beliefs could be challenged, questioned, or enforced by it – but it doesn’t really… read review