Shortly after the Second World War, Max, a transplanted American, visits an English pawn shop to sell his trumpet. The shopkeeper recognizes the tune Max plays as one on a wax master of an unreleased recording, discovered and restored from shards found in a piano salvaged from a cruise ship turned hospital ship, now slated for demolition. This chance discovery prompts a story from Max, which he relates both to the shopkeeper and later to the official responsible for the doomed vessel, for Max is a born storyteller. Though now down on his luck and disillusioned by his wartime experiences, the New Orleans-born Max was once an enthusiastic and gifted young jazz musician, whose longest gig was several years with the house band aboard the Virginian, a posh cruise ship. While gaining his sea legs, he was befriended by another young man, the pianist in the same band, whose long unlikely name was Danny Boodman T.D. Lemons 1900, though everyone just called him 1900, the year of his birth. Abandoned in first class by his immigrant parents, 1900 was found and adopted by Danny, a stoker, and raised in the engine rooms, learning to read by reading horseracing reports to his adoptive dad. After Danny’s death in an accident, 1900 remained on the ship. Increasingly lured by the sound of the piano in the first-class ballroom, he eventually became a gifted pianist, a great jazz improvisationist, a composer of rich modern music inspired by his intense observation of the life around him, the stories passengers on all levels of the ship trusted him enough to tell. He also grew up to be a charming, iconoclastic young man, at once shrewd and oddly innocent. His talent earned him such accolades that he was challenged by, and bested Jelly Roll Morton in an intense piano duel that had poor Max chewing paper on the sofa in agonies of suspense. And yet for all the richness and variety of his musical expression, he never left the ship, except almost, once, in the aftermath of his infatuation with a beautiful young woman immigrant who inspired the music committed to the master Max discovers in the pawnshop. Max realizes that 1900 must still be on the ship, and determines to find him, and to find out once and for all why he has so consistently refused to leave. –IMDb
After staging two plays by Pirandello and De Filippo with an amateur dramatics company at just sixteen years of age, Tornatore took his first tentative steps in the world of cinema through documentaries (one of these, “Ethnic minorities in Sicily (Le minoranze etniche in Sicilia)”, won him an award at the Salerno film festival) and television work (for RAI he produced “Portrait of a thief (Ritratto di rapinatore)”, “Guttuso’s diary (Diario di Guttuso)”, “Sicilian writers and films: Giovanni Verga, Luigi Pirandello, Vitaliano Brancati, Leonardo Sciascia (Scrittori siciliani e cinema: Verga, Pirandello, Brancati, Sciascia”). In 1984 he was second unit director on “Cento giorni a Palermo” by Giuseppe Ferrara and, two years later, finally made his directorial debut: “The professor (Il camorrista)” (1986), a hard-hitting portrait of a Naples underworld boss, is a sturdy, inspired work that successfully combines political considerations and spectacular scenes. Nonetheless, it was with his… read more
The short story was beautiful, and the film is masterfully adapted with glorious old-fashioned atmosphere.
This is a film I will watch over and over .. and have. A poignant film that is both compelling and visually stunning. What more can I say? The storyline is spectacular and is exactly what seeing a… read review