While Jack the Ripper prowls the streets of London, a mysterious lodger named Slade (Laird Cregar) comes to stay in the house of Ellen and Robert Burton (Sara Allgood and Cedric Hardwicke) and their actress-niece, Kitty (Merle Oberon). As Slade’s behavior becomes increasingly suspicious, Ellen begins to fear that Kitty’s life is in danger; meanwhile, a police detective (George Sanders) searches for clues to the killer’s identity… —Filmfanatic.org
John Brahm (August 17, 1893 – October 13, 1982) was a film and television director possibly best known today for directing a dozen of the original Twilight Zone episodes including the now classic “Time Enough at Last”. His films include The Undying Monster (1942), The Lodger (1944), Hangover Square (1945), the film noir The Locket (1946) with Laraine Day, Robert Mitchum, and Brian Aherne, and the Secret Sharer segment of Face to Face. He also directed the 3D horror film The Mad Magician 1954 with Vincent Price and Mary Murphy.
Brahm was born in Hamburg, Germany. He was the son of German actor Ludwig Brahm and the nephew of European theatrical impresario Otto Brahm.
John started his theatre career as a character actor. After World War I, shuttling between Vienna, Berlin and Paris, he became theatre director and was resident director for acting troupes at Deutsches Theater and the Lessing Theater, both in Berlin.
With the rise of Hitler, he first moved to England… read more
There are quite many reasons to enjoy John Brahm's THE LODGER nowadays. First of all, I've never imagined until today that Merle Oberon did appear in a French Cancan show, it's odd but it works. Secondly, this film is the 13th of the 14 films played by Laird Cregar who died at the age of 31 in 1944: if you don't know him, watch THE LODGER then his last movie HANGOVER SQUARE and you'll understand why he's still regretted. Another reason is the exposition of the motives of Jack the Ripper in THE LODGER. Highly recommended.
This stunning French grande poster for The Lodger (the 1944 John Brahm version, not the 1927 Hitchcock, though based on the same Jack the Ripper