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Director

Original

Anatole Litvak

Born in Kiev, Michael Anatole Litwak was a stage actor and assistant director as a teenager. He entered Soviet cinema in 1923, working in Nordkino studios as a set decorator and assistant director. He directed his first film, the 1925 release Tatiana (Hearts and Dollars), but left the Soviet Union that year for Germany, where he edited G.W. Pabst’s Die Freudlose Gasse (The Joyless Street, 1925), assistant directed, and helmed the early ‘30s features Dolly Macht Karriere (1931), Nie Wieder Liebe (1932), and Das Lied Einer Nacht (1933). Fleeing the Nazis, Litvak directed films in England and France, among them the international hit Mayerling (1936). He came to Hollywood in 1937, where he helmed many handsome and polished features, specializing in crime films (The Amazing Dr. Clitterhouse, Confessions of a Nazi Spy, Castle on the Hudson, Out of the Fog) and romantic dramas (The Sisters, All This and Heaven Too). He worked on several Army documentaries during World War II, and co-directed… read more

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JESCIE

16Sep11

Vincent Price, the magician: http://www.tcm.com/mediaroom/video/440305/Long-Night-The-Movie-Clip-Just-Watch-His-Hands.html

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Christofer Pierson

13Mar11

Litvak grounds Carne's dreamily poetic Le Jour Se Leve a bit more firmly in reality and makes a surprisingly riveting little movie. Fonda seems an odd choice for the Gabin role, but he's outstanding, as is Ann Dvorak as a floozy. Gorgeous cinematography--rich black tones. Beethoven's Seventh as a theme. Does its Hollywood-friendly ending betray Carne? Worth watching to ponder and compare..

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