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Picture of Howard Orr

Howard Orr

30Dec11

A beautifully composed film, with thoughtful staging in depth and excellent characterisation. The bleakness of its vision is significantly at odds with the lighter tone of the -also excellent- 1936 Renoir version. Worth getting both films in the Criterion DVD set.

Picture of Mugino

Mugino

23Nov11

I don't know how to rate Kurosawa films any more: it's simply not possible for them to be passable or below average (a 3-star or lower on my scale) but there are so many gradations of vision, skill and talent between the 4-star and 5-star. This is one of my least favorite selections from his filmography but there's a cynical wisdom driving it, conveyed through words as sharp as a tack.

Picture of Francisco R.

Francisco R.

14May11

There is a masterstroke to the movie in the way the characters are portrayed, where each one of them might represent a state of mind and the cast as a whole convey the primary spectrum of human emotions, completing the metaphor of the film as the tribulations of a single human mind, as a multidimensional ying-yang instead of several individual problems unrelated to one another. The lower depths of our own existence.

Picture of Zachary Curl

Zachary Curl

26Dec10

excellent film, excellent ending, though i don't find myself wanting to watch it very often. it's one of Kurosawa's movies that actually feels long to me.

Picture of Mathew

Mathew

3Jun10

Love the ending. Sums up the movie so well with a perfect mix of comedy and tragedy.

Picture of Franklinton Underground Cinema

Franklinton Underground Cinema

22May10

I have a similar love for this film, as I have for Hitchcock's "Rope". There is just so much to chew on and digest. Great writing and dialogue. Great adaptation.

Picture of Acerk21

Acerk21

9May10

greatest ending ever?

Picture of Ghazal Ahmadi

Ghazal Ahmadi

6May10

Maxim Gorky must seen himself!