Victor Pivert (Louis De Funes) is a loving man — as long as the object of his affection is Caucasian, French and Catholic. When it comes to foreigners, Victor is as bigoted as they come. So it’s poetic justice when, on the day of his daughter’s wedding, Victor bumbles across a group of Arab revolutionaries and is forced to go into hiding — as a rabbi.
Gérard Oury (29 April 1919, Paris – 20 July 2006, Saint-Tropez) was a French film director, actor and writer. His real name was Max-Gérard Houry Tannenbaum.
The son of Serge Tannenbaum, a violinist, and Marcelle Houry, a journalist, Oury studied at Lycée Janson de Sailly and at the National Conservatory of Dramatic Art. He became a member of the Comédie-Française just one year before World War II, but fled to Switzerland to escape the anti-Jewish laws decreed by the Vichy government.
After 1945 he re-started his career as an actor, performing in the theatre and in supporting roles in the cinema. Oury became a movie director in 1959 (The Itchy Palm) and gained his first success in 1961 with Crime Does Not Pay (Le crime ne paie pas).
Joining André Bourvil and Louis de Funès as a comic duo, he burst into commercial filmmaking with 1965’s The Sucker (Le corniaud). The following year, Don’t Look Now… We’re Being Shot At! (La Grande Vadrouille) was even more successful… read more