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The Maltese Falcon

United States

1941

101 Min
Black and White
1.37:1
English
  • Currently 4.1/5 Stars.
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DIR John Huston

EXEC Hal B. Wallis

SCR Dashiell Hammett, John Huston

DP Arthur Edeson

CAST Humphrey Bogart, Mary Astor, Gladys George, Peter Lorre, Barton MacLane, Lee Patrick, Sydney Greenstreet, Ward Bond

ED Thomas Richards

MUSIC Adolph Deutsch

Synopsis

At the Spade and Archer detective agency in San Francisco, Samuel Spade is interviewed by the beautiful Miss Wonderly, who wishes to hire him to find her runaway sister. Sam’s partner, Miles Archer, agrees to be present when Wonderly meets Floyd Thursby, her sister’s seducer, and then follow him to his hotel in hopes of finding the missing girl. Later that night, Sam learns that Miles has been shot. He calls Wonderly and learns that she has checked out of her hotel. Then Thursby is found with four bullet holes in his back and Sam is visited by Lt. Dundy and Detective Tom Polhaus, two policemen, who suspect him of murdering Thursby out of revenge for Miles’s death. The following morning, Wonderly summons Sam to her new address, where she confesses that her real name is Brigid O’Shaughnessy and that the story she related the day before was completely false. Despite his doubts that she has told him the whole truth, Sam accepts her as his client. The announcement of Thursby’s death draws an inquiry from a mysterious little man named Joel Cairo, who tells Sam that he is trying to recover a statue of a black falcon. When Sam denies any knowledge of the statue, Cairo pulls a gun and demands to search the office. Sam disarms Cairo, who offers the detective $5,000 to find the bird. Sam accepts the offer, and Cairo once again holds Sam at gunpoint while he searches the office. When Brigid learns of Cairo’s visit, she asks Sam to set up a meeting with him and tells Cairo that she doesn’t have the statue, but will in a few days. Their meeting is interrupted by the police, who have been sent by Miles’s widow Iva, who is jealous because she and Sam had been having an affair. The police now begin to suspect Sam of Miles’s murder, but he spins a complicated story to stop the police from arresting the three of them for questioning. Kasper Gutman, known as “The Fat Man,” is also interested in the statue and summons Sam, but when Gutman refuses to explain his interests, Sam storms out. Later, Wilmer Cook, Gutman’s gunman, brings Sam back to Gutman’s apartment. Gutman tells Sam that after the Crusades, Charles V of Spain presented the Knights Templar with the island of Malta, requiring only the tribute of a falcon every year. The statue everyone wants is a golden, jewel-encrusted replica of a falcon that was stolen by pirates and afterward disappeared for centuries. After it reappeared in Greece, Gutman planned to buy it, but it was again stolen and he has been following its trail ever since. He offers Sam $50,000 to find it, but before Sam can accept, he passes out from doctored drinks. When he comes to, he searches the room and finds a paper announcing the arrival of a ship from Hong Kong, but at the docks, Sam finds the ship on fire. He returns to his office, where a dying man stumbles in with a package. The man is Jacoby, the captain of the Hong Kong ship, and the package contains the statue. A phone call from Brigid takes Sam on a wild goose chase, but first he checks the package and mails the claim check to himself. When Sam finally returns home, Brigid, Gutman, Cairo and Wilmer are waiting. Sam agrees to turn over the bird if Gutman will allow Wilmer to take the blame for the three murders. When Effie arrives with the package, however, it is quickly discovered that the bird is a fake. In the confusion, Wilmer escapes. After Gutman and Cairo leave, Sam calls the police and turns them all in. Brigid admits that she shot Miles, hoping to implicate Thursby. Even though he is fascinated by her dangerous beauty, Sam turns Brigid in for the murder of his partner. —Turner Classic Movies

Director

Original

John Huston

The son of actor Walter Huston, American film director John Marcellus Huston was born in Missouri, travelling widely with his family in vaudeville circles, he enjoyed a wild and unconventional youth.

He boxed, rode horses in Mexico and wrote for magazines in New York, before writing dialogue for Hollywood. Before breaking into directing, Huston also spent time acting and street-performing in Paris and London.

His first film, ‘The Maltese Falcon’, was made in 1941, becoming the classic adaptation, and making a star out of Humphrey Bogart. Bogart also appeared in Huston’s next few films: ‘Key Largo’, ‘Across The Pacific’ and ‘The Treasure of The Sierra Madre’.

It was with the latter that Huston won his first Best Director Oscar. His father, Walter, also appeared in the film, winning Best Supporting Actor.

Making military documentaries during World War II, Huston hit the big time again with his 1950 crime film, ‘The Asphalt Jungle’. Following this was ‘The African… read more

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Karthik

14Apr12

One can't deny the immense importance of this film as well as the finesse and control over its creation. And who can resist Bogie's half-smiles and brow-wrinklings? If it were not for the blatant homophobia, needed to set off the Sam Spade version of masculinity, I could enjoy this straight.

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DT

11Jan12

Maybe it’s just me but I found this to be just as confusing as The Big Sleep. But just like Hawks’ film, that doesn’t stop this from being a stylishly enjoyable ride. Even putting aside its historical significance (in basically being the blueprint for decades’ worth of cinema), the consistently strong direction and acting and the crackling, rapidfire dialogue deem this to be a very diverting work in and of itself.

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Adam Z

8Jan12

The film is really good- Huston at his near-best and Bogart makes a staggeringly good Sam Spade. But what really stands out to me is Bogart dismissing the villain's lackeys as "pocket edition desperados." That has got to be the best noir/hardboiled insult Raymond Chandler didn't come up with.

Karthik likes this

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Barbosa_XII

7Jan12

Huston piles on conflict so fast it's exhausting. This is economic filmmaking at it's finest, slick and always intriguing. with only a handful of sets and character actors. Behind Sierra Madre, this is my second favorite Bogart character.

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Fast talk and double dealing.

By Michael Harbour on March 24, 2012

Writer John Huston convinced Warner studios to let him try his hand at directing. He picked a story that had already been filmed twice (1931 and 1936), wrote the script (with Dashiell Hammett), planned…  read review

The Maltese Falcon

By Daniel A. DiCenso on November 29, 2011

Although the third adaptation of Dashiell Hammett’s pulp novel, John Huston’s The Maltese Falcon set the mold for so many movies in so many ways that one can be forgiven for overlooking its expansive…  read review

Surfait

By Benoît on November 29, 2011

Nous connaissons tous la réputation que possède Le Faucon maltais de John Huston. Mais comme pour d’autres films, cette renommée est somme toute surfaite.
C’est vrai que le scénario multiplie les…  read review

Hardboiled Classic

By superba​d71 on November 8, 2010

One of the first (and best) films noir, the Maltese Falcon is gritty and fast paced with sharp, rapid-fire dialogue and uncompromisingly delivered, ruthless characters who seem to know no bounds in…  read review

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