To study a rogue planet heading for a near-miss with Earth, Prof. Elliot sets up an observatory on the foggy moors of a remote Scottish island, with his pretty daughter and Dr. Mears, a former student with a shady past. Soon after arrival of reporter John Lawrence, a ship from Planet X just happens to land near the observatory. Is the visitor (who actually looks alien) benevolent? What are Mears’ real motives for trying to communicate with it? —IMDb
Edgar George Ulmer was one of the very few genuinely creative filmmakers who, for a time, chose the world of low-budget B-films over the more opulent milieu of mainstream, high-profile A-pictures. Born in Vienna, Austria, he worked as a stage actor and set designer while studying architecture and philosophy, and later joined the company of the legendary German theatrical producer Max Reinhardt. He first visited America in connection with a Reinhardt production, and became briefly involved with Universal Pictures in the mid-‘20s. On his return to Germany he served as an assistant to filmmaker F.W. Murnau, and worked as art director on the latter’s film Sunrise, which was shot in Hollywood in 1927. Ulmer went back to Germany to co-direct Menschen am Sonntag (1929) in collaboration with Robert Siodmak. He emigrated to Hollywood in the early ‘30s, working as a writer on movies such as Tabu and as an art director. By 1933, Ulmer had been signed to Universal as… read more
Has at least two of my favorite scenes in all of sci-fi cinema, the first being the discovery of the spacecraft that offers the first glimpse of the alien and the second, almost immediately afterwards, the scene where the Professor and his daughter back away from the craft and you can't help but dread what they may be backing into. A truly cool '50s sci-fi flick.