The Man in the Iron Mask

United Kingdom, United States

1998

132 Min

Color

1.85:1

English

Currently 2.3/5 Stars.
1
2
3
4
5

PROD Russell Smith, Randall Wallace

SCR Randall Wallace, Alexandre Dumas père

CAST Leonardo DiCaprio, Jeremy Irons, John Malkovich, Gérard Depardieu, Gabriel Byrne, Anne Parillaud, Judith Godrèche, Edward Atterton, Peter Sarsgaard, Hugh Laurie, David Lowe, Brigitte Boucher, Matthew Jocelyn

The young King Louis XIV becomes intrigued with the beautiful Christine and sends her suitor, Raoul, to the front for an almost certain death. When he is killed, Louis earns the hatred of Raoul’s father, the former faithful musketeer Athos. Athos is not alone in his hatred of the king as the entire country has grown weary of his excesses. Louis depends upon another former musketeer, D’Artagnan, to kill the ringleader of the rebellion. What Louis does not know is that D’Artagnan is also his mother’s lover. Things are getting out of hand when the king’s trusted priest, Aramis, another former musketeer, gathers together his former collegues with a plan to change the course of history. Athos and Porthos join in a plot to spring out of prison a man who, for six years, has lived in his cell with his head in an iron mask. The man is, in fact, Philippe, the younger twin of Louis XIV. –Inbaseline

Director

Randall Wallace

Randall Wallace (born July 28, 1949) is an American screenwriter, director, producer, and songwriter who came to prominence by writing the screenplay for the 1995 film Braveheart. His work on the film earned him an Oscar nomination for Best Original Screenplay and a Writers Guild of America award for Best Screenplay Adapted Directly for the Screen. He directed The Man in the Iron Mask, We Were Soldiers, and Secretariat.

Early life

Born in Jackson, Tennessee, Wallace began writing stories at the age of seven. Wallace graduated from E.C. Glass High School in Lynchburg, Virginia. He attended Duke University, where he studied Russian, religion, and literature and was a member of Lambda Chi Alpha fraternity. He put himself through a graduate year of seminary by teaching martial arts. Wallace holds a black belt in karate.

Career

After managing an animal show at Nashville’s Opryland, Wallace moved to Hollywood to pursue a career in singing and songwriting. He began… read more

Early life

Career

After managing an animal show at Nashville’s Opryland, Wallace moved to Hollywood to pursue a career in singing and songwriting. He began writing short stories, novels and scripts for movies. Wallace was taken under the wing of leading television producer Stephen J. Cannell and spent several years writing for television in the late 1980s and early 1990s.

He gained recognition and commercial success by penning the screenplay for Braveheart (1995), which was inspired by a trip to Scotland to learn more about his Scottish roots. While there, he discovered the legend of the medieval Scottish patriot William Wallace. Braveheart became Wallace’s first screenplay to be produced after it drew the interest of director and star, Mel Gibson. It ended up as one of the most successful films of 1995, earning the Academy Award for Best Picture and Best Director as well as garnering other Oscar, Golden Globe, and Writers Guild Award for Best Screenplay nominations.

Wallace made his directorial debut with his own screenplay in The Man in the Iron Mask, starring Leonardo DiCaprio, John Malkovich, Gabriel Byrne, Jeremy Irons and Gérard Depardieu. Shortly after, he wrote the screenplay for Pearl Harbor (2001), directed by Michael Bay and starring Ben Affleck, Josh Hartnett and Kate Beckinsale.

This was followed by Wallace’s second film as director We Were Soldiers. Moved by its starkly honest account of a singular battle in the Vietnam War, Mel Gibson re-teamed with Wallace to star in the film. Wallace trained with career soldiers at U.S. Army Ranger School in order to understand the motivation of his characters.

In 2010, Wallace directed Disney’s Secretariat, the true story of the racehorse that won the Triple Crown in 1973. The film chronicled the struggles and courage of owner Penny Chenery-Tweedy, portrayed by Academy Award-nominated actress Diane Lane. Wallace also wrote the end title song, It’s Who You Are, which was released with the Secretariat soundtrack.

He is currently writing the sequel to Homefront for Crytek.

Wallace has been developing a movie about the Vikings with Mel Gibson.

Other work

Wallace is also the New York Times bestselling author of seven novels and the lyricist of the acclaimed hymn “Mansions of the Lord”, performed as the closing music for President Ronald Reagan’s national funeral.

In 2008, Wallace wrote several songs with singer/songwriter Richard Marx. One of those songs, “Flame In Your Fire”, appears on Marx’s album Emotional Remains.

In interviews he has acknowledged a deep commitment to Christianity, which he credits as an influence on his approach to filmmaking.

He appeared in the seventh season of HBO’s hit comedy series Entourage as himself.

In addition to his work as a filmmaker, Wallace is the founder of Hollywood for Habitat for Humanity and the father of two sons. In 1999, he formed his own company, Wheelhouse Entertainment, which is focused on creating entertainment for worldwide audiences based on the classic values of love, courage and honor.

Wallace was the speaker at the Fellowship Foundation National Prayer Breakfast on 3 February 2011.

Wallace also served as the commencement speaker at the Liberty University graduation ceremony on May 14, 2011. —Wikipedia

read less

Wall

Displaying 4 wall posts.

see all

Classroom Battles

4Feb12

I have to say that this film may seem horrible to some, but I think there is a true and honest hommage to the 'cape et d'épée' genre, with some nice old fashioned visuals. Guilty pleasure.

Scout

13Dec11

Randall Wallace isn't much of a director, but he cast Peter Sarsgaard as John Malkovich's son which is one of the two or three greatest decisions any director has ever made. The film is fine, but sweet jesus has there ever been a more perfect bond between two unrelated actors?