The unassuming, nebbishy inventor Sidney Stratton creates a miraculous fabric that will never be dirty or worn out. Clearly he can make a fortune selling clothes made of the material, but may cause a crisis in the process. After all, once someone buys one of his suits they won’t ever have to fix them or buy another one, and the clothing industry will collapse overnight. Nevertheless, Sidney is determined to put his invention on the market, forcing the clothing factory bigwigs to resort to more desperate measures… —IMDb
Gifted director whose films are marked by fine writing and acting and who is best known for his ingenious Ealing comedies. Born to Scottish parents in the US and raised in Scotland, Mackendrick worked in advertising and then made propaganda shorts during WWII. In 1946 he joined Ealing Studios, co-writing a number of Basil Dearden movies before making his directing debut with the comedy classic “Whisky Galore/Tight Little Island” (1949). It was followed by several other sharply observed, often darkly satirical comedies, such as the brilliant “The Man in the White Suit” (1951) and the equally memorable “The Ladykillers” (1955), both starring Alec Guinness and both superb examples of the dry, adult, yet farcical Ealing style.
Mackendrick’s ability to elicit outstanding performances from his actors, particularly children, is displayed in the wonderful study of the teaching of a deaf girl, “Mandy/Crash of Silence” (1952) and in the lesser but enjoyable adventure saga, “A High Wind… read more
Brilliant satire of industrial society. in the same class with Metropolis and Modern Times.
More work & a current exhibition of the great German graphic designer.
A witty clothing detail in Alexander Mackendrick’s The Man in the White Suit (1951).