MUBI brings you a great new film every day.  Start your 7-day free trial today!
Watch a new film every day for $4.99.
Try MUBI for FREE.
 

Synopsis

Gwynplaine, son of Lord Clancharlie, has a permanent smile carved on his face by the King, in revenge for Gwynplaine’s father’s treachery. Gwynplaine is adopted by a travelling showman and becomes a popular idol. He falls in love with the blind Dea. The king dies, and his evil jester tries to destroy or corrupt Gwynplaine. —IMDb

Director

Original

Paul Leni

Paul Leni was born in 1885 in Stuttgart and died in 1929 in Hollywood. After training as a draftsman at an ornamental ironworks, he studied at the Berlin Academy of Fine Arts, followed by work designing film posters and stage sets. He worked in film from 1913 onwards, making his debut as a director with “Das Tagebuch des Dr. Hart” in 1916. After the First World War, he designed the sets for Leopold Jessner’s melodrama “Backstairs” (1921). In 1924, he directed the episodic film “Waxworks” (“Das Wachsfigurenkabinett”). In the years that followed, he worked primarily as a set designer for various producers.

From 1926 onwards, he arranged several stage shows in New York, and designed numerous crime thrillers for the Hollywood producer Carl Laemmle, causing a sensation with his ingenious lighting and visual effects. His other films include: “Dornroeschen” (1917), “Die platonische Ehe” (1918), “Prince Cuckoo” (“Prinz Kuckuck”, 1919), “The Genoa Conspiracy” (“Die Verschwoerung zu Genua”… read more

Wall

Displaying 4 of 8 wall posts.
Picture of Electrus Amadeus Magnus

Electrus Amadeus Magnus

15Feb13

He gave us the origin of The Joker.

Picture of Guillermo Padilla

Guillermo Padilla

28Jan13

Genial película con tintes expresionistas (sobre todo en la primera parte) un clásico que marcaría algunas de las pautas del cine de terror clásico de los estudios Universal. Imperdible.

Picture of Robert Karol

Robert Karol

9Oct12

An over-the-top silent melodrama, though worth watching for the performance of Conrad Veidt. I feel like Chaney's PHANTOM OF THE OPERA holds up better, but worth seeing on the big screen.

Picture of Cinematic Cteve

Cinematic Cteve

23Mar12

Sometimes mediocrity in movies reminds us of greatness. For me, this almost always involves watching a contemporary picture and being reminded of something much better that unspooled years ago for a lucky audience. Read more: http://cinemauprising.blogspot.com/2009/08/casablanca-caligari-conrad-veidt.html

Related Films